Targeting an audience of all ages, these works abolish the boundaries between digital art, cinema and painting and allow the viewer to rediscover the world\u2019s pictorial heritage while at the same time discovering a new medium. In a fun and entertaining way, it stimulates exchanges around a unique experience \u2013 that of diving into the very core of a painting. The audience walks through the artwork, meets the painter and becomes a character himself.<\/p>\n<\/div>
Dedicated to art in all its forms, Phi is a multidisciplinary arts and culture organization that cultivates all aspects of creation, development, production and dissemination. Phi is at the intersection of art, film, music, design and technology. Through eclectic programming and a strong emphasis on content creation, Phi fosters unexpected encounters between artists and audiences.<\/em><\/p>\n<\/div><\/div>\n\n Martin Charriere \/ 6 min\/ 2017 \/
Switzerland<\/p>\n\n Peint entre 1880 et 1886 par Arnold B\u00f6cklin, L\u2019\u00cele des Morts <\/em>est sans doute l\u2019un des tableaux suisses les plus c\u00e9l\u00e8bres au monde. Guid\u00e9 par l\u2019irr\u00e9v\u00e9rencieux Yann Marguet, cette plong\u00e9e en VR dans l\u2019\u0153uvre rel\u00e8ve davantage du trip sous acide que de la balade mus\u00e9ale.<\/p>\n<\/div><\/div>\n\n Martin Charri\u00e8re \/ 7 min \/ 2018 \/ Switzerland<\/p>\n\n In 1898, Swiss artist F\u00e9lix Vallotton produced a series of woodcuts entitled Intimit\u00e9s<\/em> which represent ten moments in the love life of famous Parisian pianist Misia Sert. To revisit this work, this VR project in the Hors-Cadre series<\/em> imagines what the musician replies to the artist. Fascinating.<\/p>\n<\/div><\/div>\n\n Martin Charri\u00e8re \/ 2 episodes \/ 2018-2019 \/ Switzerland<\/p>\n\n An interactive virtual reality experience through Hodler\u2019s work. This path leads the viewer to discover two of the artist\u2019s iconic paintings: The Woodcutter <\/em>and The Night<\/em>, and thus allows a journey through their history and emotions.<\/p>\n<\/div><\/div>\n\n Andr\u00e9s Jarach, Gordon \/ 5 min \/ 2018 \/ United Kingdom<\/p>\n\n Painted in 1560 by Pieter Brueghel the Elder, the work Children\u2019s Games <\/em>depicts 200 children playing 91 different games. Although the characters were condemned to play the same game for more than 450 years, a mysterious force suddenly attacks them, giving them the opportunity to finally express their weariness.<\/p>\n<\/div><\/div>\n\n Nikita Shalenny \/ 10 min \/ 2017 \/ Ukraine, Denmark<\/p>\n\n A bridge in the fog. Silhouettes running at our side. Are we fleeing? Are we heading towards history? The personal answer takes us 40,000 kilometers in a few minutes. Enhanced by Shalenny\u2019s animation, a race against time, against mankind and against oneself.<\/p>\n<\/div><\/div>\n\n\n In collaboration with the Phi Centre in Montreal<\/p>\n\n\n
<\/div>Unframed: Isle of the Dead<\/h3>\n\n
<\/div>Unframed: Intimacies, F\u00e9lix Vallotton<\/h3>\n\n
<\/div>A Bar at the Folies Berg\u00e8re<\/h3>\n\n
<\/div>Condemned to Play<\/h3>\n\n
<\/div>THE BRIDGE<\/h3>\n\n
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