{"id":29716,"date":"2021-09-01T22:04:31","date_gmt":"2021-09-01T20:04:31","guid":{"rendered":"https:\/\/giff.daisybell.ch\/?page_id=29716"},"modified":"2022-11-02T17:56:54","modified_gmt":"2022-11-02T16:56:54","slug":"guests-jurys","status":"publish","type":"page","link":"https:\/\/www.giff.ch\/archives\/2022\/en\/guests-jurys\/","title":{"rendered":"Guests &#038; JURYS"},"content":{"rendered":"<div class='row '><div class='col col-12 '>\n<h2 class=\"wp-block-heading\">GENEVA AWARD<\/h2>\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/NWR-portrait-1-edited-674x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/NWR-portrait-1-edited-674x675.jpg 674w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/NWR-portrait-1-edited-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/NWR-portrait-1-edited-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/NWR-portrait-1-edited-307x308.jpg 307w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/NWR-portrait-1-edited-853x855.jpg 853w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/NWR-portrait-1-edited.jpg 953w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">NICOLAS Winding Refn<\/h3>\n\n<p>After Xavier Dolan, Mads Mikkelsen and Luca Guadagnino, the Geneva International Film Festival presents the Geneva Award to the Danish genius Nicolas Winding Refn. A filmmaker of contrasts, the master of the cinematic uppercut will share his visions and sorceries. An unmissable event in the presence of a true visionary and cinephile. The GIFF will also trace his oeuvre by presenting a few of his most intoxicating explorations of the sublime and the sordid, from Copenhagen to California, by way of Bangkok and medieval Scotland.<\/p>\n\n<h4 class=\"wp-block-heading\"><br><strong>THURSDAY 10.11<\/strong><br><strong>1:30 PM: <a href=\"https:\/\/www.giff.ch\/archives\/2022\/film\/valhalla-rising\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>VALHALLA RISING<\/em><\/a> | GR\u00dcTLI (SIMON)<\/strong><br><strong>4 PM: <em><a href=\"https:\/\/www.giff.ch\/archives\/2022\/film\/pusher\/\" target=\"_blank\" rel=\"noreferrer noopener\">PUSHER<\/a><\/em> | TH\u00c9\u00c2TRE PITO\u00cbFF<\/strong><\/h4>\n\n<h4 class=\"wp-block-heading\">FRIDAY 11.11<br><strong>1:15 PM: <em><a href=\"https:\/\/www.giff.ch\/archives\/2022\/film\/only-god-forgives\/\" target=\"_blank\" rel=\"noreferrer noopener\">ONLY GOD FORGIVES<\/a><\/em> | TH\u00c9\u00c2TRE PITO\u00cbFF<\/strong><br>5:00 PM: <a href=\"https:\/\/www.giff.ch\/archives\/2022\/event\/masterclass-nicolas-winding-refn\/\" target=\"_blank\" rel=\"noreferrer noopener\">MASTERCLASS<\/a> | TH\u00c9\u00c2TRE PITO\u00cbFF<br>6:45 PM:<em> <a href=\"https:\/\/www.giff.ch\/archives\/2022\/film\/the-neon-demon\/\">THENEONDEMON + TOUCHOF CRUDE<\/a><\/em> | TH\u00c9\u00c2TRE PITO\u00cbFF<\/h4>\n\n<h4 class=\"wp-block-heading\">SATURDAY 12.11<br><strong>7:45 PM: <em><a href=\"https:\/\/www.giff.ch\/archives\/2022\/film\/copenhagen-cowboy\/\" target=\"_blank\" rel=\"noreferrer noopener\">COPENHAGEN COWBOY<\/a><\/em> | CIN\u00c9LUX<\/strong><\/h4>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<h2 class=\"wp-block-heading\">Film &amp; Beyond<\/h2>\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Vignette_Alexandre-Astier-DSC_0483-rt-edited-2.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Vignette_Alexandre-Astier-DSC_0483-rt-edited-2.jpg 599w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Vignette_Alexandre-Astier-DSC_0483-rt-edited-2-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Vignette_Alexandre-Astier-DSC_0483-rt-edited-2-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Vignette_Alexandre-Astier-DSC_0483-rt-edited-2-307x308.jpg 307w\" sizes=\"(max-width: 599px) 100vw, 599px\" \/>\n<p><\/p>\n<\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">ALEXANDRE ASTIER<\/h3>\n\n<p>Since 2014 the Film &amp; Beyond Award has been highlighting inspiring journeys of out-of-the-box storytellers whose visions shine across multiple artistic and audiovisual formats. For its 28th edition, the GIFF honors French actor, author, director, composer, screenwriter, producer, editor and musician Alexandre Astier. A public encounter will delve into the creative secrets of this major artist.<\/p>\n\n<h4 class=\"wp-block-heading\"><strong>SATURDAY 5.11<br>5:30 PM : <a href=\"https:\/\/www.giff.ch\/archives\/2022\/en\/event\/masterclass-alexandre-astier\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>MASTERCLASS<\/em><\/a> | ARDITI AUDITORIUM<br>7:30 PM: <a href=\"https:\/\/www.giff.ch\/archives\/2022\/en\/film\/kaamelott-premier-volet\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>SCREENING KAAMELOTT: FIRST PART<\/em><\/a> | ARDITI AUDITORIUM<\/strong><\/h4>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<h2 class=\"wp-block-heading\">Tales of Swiss Innovation<\/h2>\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited-674x675.jpg\" class=\"img-fluid pb-3\" alt=\"OIL - A Porn Story, GIFF 2021\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited-674x675.jpg 674w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited-854x855.jpg 854w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited-1025x1026.jpg 1025w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/4591-edited.jpg 1079w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">OIL production<\/h3>\n\n<p>A carte blanche and a masterclass offered to a Swiss personality who has significantly contributed to the advancement of the audiovisual industry in the fields of narration, image direction, production or broadcasting.<\/p>\n\n<p>This year, the Swiss OIL Collective of queer pornographic productions will be honored.&nbsp;Oil will give you a taste of where it comes from and what you can do with it.<\/p>\n\n<p>OIL is a Swiss queer pornographic production collective. OIL offers a greedy perspective on the body. Its oil is sweet and perfumed, it makes textures fluid, can be used hot or cold, makes hair shiny and transforms friction into fusion. During this reading-performance, OIL will give you a taste of its fragrance, revealing where it comes from and what you can do with it.<\/p>\n<div class='row '><div class='col col-12 '>\n<h4 class=\"wp-block-heading\">SATURDAY 5.11<br>7:45 PM :&nbsp;<em><a href=\"https:\/\/www.giff.ch\/archives\/2022\/en\/film\/who-will-fuck-daddy\/\" target=\"_blank\" rel=\"noreferrer noopener\">WHO WILL FUCK DADDY?<\/a><\/em>&nbsp;| FONCTION : CINEMA<br><\/h4>\n\n<h4 class=\"wp-block-heading\">TUESDAY 8.11<br>3:30 PM :&nbsp;<em><a href=\"https:\/\/www.giff.ch\/archives\/2022\/en\/film\/the-daughters-of-fire\/\" target=\"_blank\" rel=\"noreferrer noopener\">THE DAUGHTERS OF FIRE<\/a><\/em>&nbsp;| TH\u00c9\u00c2TRE PITO\u00cbFF<br>6:30 PM:&nbsp;<em><a href=\"https:\/\/www.giff.ch\/archives\/2022\/en\/event\/oil-a-porn-story\/\" target=\"_blank\" rel=\"noreferrer noopener\">OIL \u2013 A PORN STORY<\/a><\/em>&nbsp;| FONCTION : CINEMA<br>9:OO PM :&nbsp;<em><a href=\"https:\/\/www.giff.ch\/archives\/2022\/en\/film\/community-action-center\/\" target=\"_blank\" rel=\"noreferrer noopener\">COMMUNITY ACTION CENTER<\/a><\/em>&nbsp;| FONCTION : CINEMA<\/h4>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div><\/div><\/div>\n<h4 class=\"d-none wp-block-heading\">La liste compl\u00e8te des Guests du GIFF 2021 sera annonc\u00e9e d\u00e8s le 26 octobre.<\/h4>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 '>\n<h2 class=\"wp-block-heading\">international features competition<\/h2>\n\n<ul>\n<li>ALEXEI EVSTRATOV (actor) &#8211; <em>Unrueh<\/em><\/li>\n\n\n\n<li>CLARA GOSTYNSKI (actor) &#8211; <em>Unrueh<\/em><\/li>\n\n\n\n<li>CL\u00c9MENT COGITORE (director) &#8211; <em>Goutte d&#8217;Or <\/em><\/li>\n\n\n\n<li>CYRIL SCHA\u00dcBLIN (director) &#8211; <em>Unrueh <\/em><\/li>\n\n\n\n<li>KAYIJE KAGAME (actress) &#8211; <em>Saint Omer <\/em><\/li>\n\n\n\n<li>LAURENT FERRERO (actor) &#8211; <em>Unrueh<\/em><\/li>\n\n\n\n<li>S\u00c9BASTIEN MARNIER (director) &#8211; <em>L&#8217;Origine du mal <\/em><\/li>\n\n\n\n<li>SILVAN HILLMANN (director of photography) &#8211; <em>Unrueh<\/em><\/li>\n\n\n\n<li>SHIN SU-WON (director) &#8211; <em>Hommage <\/em><\/li>\n\n\n\n<li>V\u00c9R\u00c9NA PARAVEL (director) &#8211; <em>De Humani Corporis Fabrica<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">international series competition<\/h2>\n\n<ul>\n<li>ANDR\u00c9 SANTOS (co-creator) &#8211; <em>Thieves Like Us<\/em><\/li>\n\n\n\n<li>BENJAMIN D&#8217;AOUST (co-creator) &#8211;&nbsp;<em>Des Gens Bien<\/em><\/li>\n\n\n\n<li>CHRIS LANG (creator) &#8211;&nbsp;<em>The Thief, his wife and the canoe<\/em><\/li>\n\n\n\n<li>MARCO LE\u00c3O (co-creator) &#8211; <em>Thieves Like Us<\/em><\/li>\n\n\n\n<li>MARKKU FLINK (co-creator) &#8211; <em>The Man who died<\/em><\/li>\n\n\n\n<li>MATTHIEU DONCK (co-creator) &#8211;<em> Des Gens Bien<\/em><\/li>\n\n\n\n<li>PABLO IRAOLA (productor) &#8211; <em>Thieves Like Us<\/em><\/li>\n\n\n\n<li>SAMULI VALKAMA (co-creator) &#8211; <em>The Man who died<\/em><\/li>\n\n\n\n<li>STAV IDISIS (creator) &#8211;&nbsp;<em>Bloody Murray<\/em><\/li>\n\n\n\n<li>ST\u00c9PHANE BERGMANS (co-creator) &#8211;&nbsp;<em>Des Gens Bien<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">international immersive works competitions<\/h2>\n\n<ul>\n<li>ANTONIN NICLASS (creator) &#8211;&nbsp;<em>Midnight Story<\/em><\/li>\n\n\n\n<li>CELINE DAEMEN (creator) &#8211;&nbsp;<em>Eurydice, A Descent into Infinity&nbsp;<\/em><\/li>\n\n\n\n<li>CL\u00c9MENT DENEUX (creator) &#8211;&nbsp;<em>Missing Pictures<\/em><\/li>\n\n\n\n<li>DOMINIQUE GONZALEZ-FOERSTER (creator) &#8211;<em> Alienarium<\/em><\/li>\n\n\n\n<li>LEMON GUO (creator) &#8211; <em>Diagnosia<\/em><\/li>\n\n\n\n<li>M\u00c9LANIE COURTINAT (creator) &#8211; <em>All Unsaved Progress Will Be Lost <\/em><\/li>\n\n\n\n<li>ONDREJ MORAVEC (creator) &#8211;&nbsp;<em>Darkening<\/em><\/li>\n\n\n\n<li>PEDRO HARRES (creator) &#8211;&nbsp;&nbsp;<em>From the Main Square<\/em><\/li>\n\n\n\n<li>RAZIEH KOOSHKI (co-creator)<em>&nbsp;&#8211; In Between Nodes<\/em><\/li>\n\n\n\n<li>VAHID GHADERI (co-creator) &#8211; <em>In Between Nodes<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">EUROPEAN SCRIPT AWARD<\/h2>\n\n<ul>\n<li>FREDERICO SERRA (director) &#8211;<em> Lusit\u00e2nia<\/em><\/li>\n\n\n\n<li>MARJAN AL\u010cEVSKI (lead writer) &#8211;&nbsp;<em>The Silence<\/em><\/li>\n\n\n\n<li>TINY BERTELS (lead writer) &#8211;&nbsp;<em>Lost Luggage<\/em><\/li>\n\n\n\n<li>NUNO SOLER (lead writer) &#8211;&nbsp;<em>Lusit\u00e2nia<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Highlights<\/h2>\n\n<ul>\n<li>ALBERT SERRA (director) &#8211;&nbsp;<em>Pacifiction<\/em><\/li>\n\n\n\n<li>ALEXIS LORET (actor) &#8211; <em>La vie devant<\/em><\/li>\n\n\n\n<li>AMY LALLY (actress) &#8211;&nbsp;<em>La vie devant<\/em><\/li>\n\n\n\n<li>BARNABY STEEL (creator) &#8211; <em>Evolver<\/em><\/li>\n\n\n\n<li>DAVID CONSTANTIN (creator) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n\n\n\n<li>DRAGAN VUJIC (actor) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n\n\n\n<li>EMMANUEL ADANLAWO (productor) &#8211; <em>Evolver<\/em><\/li>\n\n\n\n<li>FRAN\u00c7OIS PIROT (creator) &#8211; <em>Ailleurs si j&#8217;y suis<\/em><\/li>\n\n\n\n<li>FR\u00c9D\u00c9RIC RECROSIO (co-creator) &#8211;<em> La vie devant<\/em><\/li>\n\n\n\n<li>JEAN-LUC BIDEAU (actor) &#8211;&nbsp;<em>Ailleurs si j&#8217;y suis<\/em><\/li>\n\n\n\n<li>JEAN-MARIE GINDRAUX (production) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n\n\n\n<li>JOHANNES BACHMANN (production assistant) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n\n\n\n<li>KLAUDIA REYNICKE CANDELORO (co-creator) &#8211;&nbsp;<em>La vie devant<\/em><\/li>\n\n\n\n<li>LEAN FURRER (actor) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n\n\n\n<li>MANI HAGHIGHI (creator) &#8211; <em>Subtraction<\/em> <\/li>\n\n\n\n<li>LONE SCHERFIG (creator) &#8211;&nbsp;<em>The Shift<\/em><\/li>\n\n\n\n<li>PAUL KIRCHER (actor) &#8211; <em>Le Lyc\u00e9en<\/em><\/li>\n\n\n\n<li>PHILIPPE MARTIN (producer) &#8211; <em>Le Lyc\u00e9en<\/em><\/li>\n\n\n\n<li>SOPHIE TOTH (productor) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n\n\n\n<li>TE DANH HO (actor) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n\n\n\n<li>URSINA SCHMID (costume) &#8211; <em>Tschugger (Saison 2)<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">PULSATION<\/h2>\n\n<ul>\n<li>CHRISTINE POMPE\u00cf (autor) &#8211;&nbsp;<em>Les Enqu\u00eates de Ma\u00eblys<\/em><\/li>\n\n\n\n<li>DAN WECHSLER (productor) &#8211; <em>A Forgotten Man<\/em><\/li>\n\n\n\n<li>ELIZABETH ARNAC (co-creator) &#8211; <em>Reusss<\/em><\/li>\n\n\n\n<li>ELINA CRESPI (co-creator) &#8211;&nbsp;<em>La Page blanche (ECAL)<\/em><\/li>\n\n\n\n<li>EMMA BENESTAN (creator) &#8211;&nbsp;<em>Fragile<\/em><\/li>\n\n\n\n<li>G\u00c9RALDINE DE MARGERIE (co-creator) &#8211; <em>Toutouyoutou<\/em><\/li>\n\n\n\n<li>JAMY HERRMANN (co-creator) &#8211; <em>Dispara\u00eetre (ECAL)<\/em><\/li>\n\n\n\n<li>JEAN-MARC DUPERREX (creator) &#8211; <em>Les Enqu\u00eates de Ma\u00eblys<\/em><\/li>\n\n\n\n<li>JEREMY ROTSZTAIN (creator) &#8211; <em>Walking a Turtle<\/em><\/li>\n\n\n\n<li>JULIEN CAULET (co-cr\u00e9ateur) &#8211; <em>Incident (ECAL)<\/em><\/li>\n\n\n\n<li>LAURENT N\u00c8GRE (director) &#8211;&nbsp;<em>A Forgotten Man<\/em><\/li>\n\n\n\n<li>MANUELA BIEDERMAN (actor) &#8211; <em>A Forgotten Man<\/em><\/li>\n\n\n\n<li>MARINE DANG (co-creator) &#8211; <em>Dispara\u00eetre (ECAL)<\/em><\/li>\n\n\n\n<li>MARTINO DE GRANDIS (co-cr\u00e9ateur) &#8211; <em>La Page blanche (ECAL)<\/em><\/li>\n\n\n\n<li>MAXIME DONZEL (co-creator) &#8211;&nbsp;<em>Toutouyoutou<\/em><\/li>\n\n\n\n<li>PAUL DORSAZ (co-creator) &#8211; <em>Incident (ECAL)<\/em><\/li>\n\n\n\n<li>YASIN HOUICHA (actor) &#8211;&nbsp;<em>Fragile<\/em><\/li>\n<\/ul>\n\n<ul class=\"d-none\">\n<li>Abner Preis (cr\u00e9ateur) \u2013 <em>Blowing Through The Curtains<\/em><\/li>\n\n\n\n<li>Ad\u00e8le Haenel (actrice) \u2013 <em>Retour \u00e0 Reims (Fragments)<\/em><\/li>\n\n\n\n<li>Arnaud Parel (cr\u00e9ateur) \u2013 <em>Teatro San Materno<\/em><\/li>\n\n\n\n<li>Basil D\u00e9n\u00e9reaz (cr\u00e9ateur) \u2013 <em>Run<\/em><\/li>\n\n\n\n<li>Bogdan Nastase (cr\u00e9ateur) \u2013 <em>Untitled<\/em><\/li>\n\n\n\n<li>Edric Douglas Stanley (cr\u00e9ateur) \u2013 <em>Inside Inside<\/em><\/li>\n\n\n\n<li>Elie Grappe (r\u00e9alisateur) \u2013 <em>Olga<\/em><\/li>\n\n\n\n<li>Elodie Anglade (cr\u00e9atrice) \u2013 <em>Sonate M\u00e9canique<\/em><\/li>\n\n\n\n<li>Firat Sezgin (producteur) \u2013 <em>Blowing Through The Curtains<\/em><\/li>\n\n\n\n<li>Ga\u00eblle Mourre (cr\u00e9atrice) \u2013 <em>(Hi)story of a Painting<\/em><\/li>\n\n\n\n<li>Jamy Herrmann (cr\u00e9ateur) \u2013 <em>CAPTIVUS<\/em><\/li>\n\n\n\n<li>Jean Gabriel Periot (r\u00e9alisateur) \u2013 <em>Retour \u00e0 Reims (Fragments)<\/em><\/li>\n\n\n\n<li>Jorge Reis (cr\u00e9ateur) \u2013 <em>Mind Box<\/em><\/li>\n\n\n\n<li>Julie Ryser (cr\u00e9atrice) \u2013 <em>Run<\/em><\/li>\n\n\n\n<li>Leoni Limbach (cr\u00e9atrice) \u2013 <em>Untitled<\/em><\/li>\n\n\n\n<li>Marine Dang (cr\u00e9atrice) \u2013 <em>CAPTIVUS<\/em><\/li>\n\n\n\n<li>M\u00e9lanie Fontaine (cr\u00e9atrice) \u2013 <em>Mind Box<\/em><\/li>\n\n\n\n<li>Mika Pica (cr\u00e9ateur) \u2013 <em>Ocytocine<\/em><\/li>\n\n\n\n<li>Nathana\u00ebl Vianin (cr\u00e9ateur) \u2013 <em>Heliotrip<\/em><\/li>\n\n\n\n<li>Nora Fatehi (cr\u00e9atrice) \u2013 <em>Ocytocine<\/em><\/li>\n\n\n\n<li>S\u00e9bastien Galera (cr\u00e9ateur) \u2013 <em>Run<\/em><\/li>\n\n\n\n<li>Sina Dolati (cr\u00e9ateur) \u2013 <em>S\u00e4ye Skye ADHD: The VR Experience<\/em><\/li>\n\n\n\n<li>Soraya Camina (cr\u00e9atrice) \u2013 <em>Sonate M\u00e9canique<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">FUTURE IS SENSIBLE competition<\/h2>\n\n<ul>\n<li>ANNA FRIES (creator) &#8211;&nbsp;<em>[Posthuman Wombs]<\/em><\/li>\n\n\n\n<li>C\u00c9DRIC IDO (director) &#8211; <em>La Gravit\u00e9<\/em><\/li>\n\n\n\n<li>\u00c9MILIE BRIGLIA (production and distribution manager) &#8211;&nbsp;<em>Les aveugles<\/em><\/li>\n\n\n\n<li>JULIEN DUBUC (stage director) &#8211;&nbsp;<em>Les aveugles<\/em><\/li>\n\n\n\n<li>MALU PEETERS (creator) &#8211; <em>[Posthuman Wombs]<\/em><\/li>\n\n\n\n<li>OLIVIA MOKIEJEWSKI &#8211;&nbsp;<em>Tous Flics<\/em><\/li>\n\n\n\n<li>PIERRE F\u00d6LDES (director) &#8211; <em>Saules aveugles, femme endormie<\/em><\/li>\n\n\n\n<li>TOM DERCOURT (productor) &#8211; <em>Saules aveugles, femme endormie<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Geneva Digital Market<\/h2>\n\n<p>Find the list of GDM guests <a href=\"https:\/\/www.giff.ch\/archives\/2022\/en\/gdm\/whos-who\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n<h2 class=\"wp-block-heading\">POP TV<\/h2>\n\n<ul id=\"block-89c5fa72-cc4e-4483-8797-982c729d5415\">\n<li>ANNETTE BADLAND (actress) &#8211;&nbsp;<em>Midsomer Murders<\/em><\/li>\n\n\n\n<li>FIONA DOLMAN (actress) &#8211; <em>Midsomer Murders<\/em><\/li>\n\n\n\n<li>JEAN-CLAUDE ISSENMANN (creator) &#8211; <em>Les Babibouchettes<\/em><\/li>\n\n\n\n<li>NEIL DUDGEON (actor) &#8211; <em>Midsomer Murders<\/em><\/li>\n\n\n\n<li>NICK HENDRIX (actor) &#8211; <em>Midsomer Murders<\/em><\/li>\n\n\n\n<li>RACHEL GLAISTER (All3Media) &#8211; <em>Midsomer Murders<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">FILM &amp; BEYOND<\/h2>\n\n<ul>\n<li>ALEXANDRE ASTIER<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">GENEVA AWARD<\/h2>\n\n<ul>\n<li>LOLA CORFIXEN (actress) &#8211; <em>Copenhagen Cowboy<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">MARGUET X NEMRA<\/h2>\n\n<ul>\n<li>YANN MARGUET<\/li>\n\n\n\n<li>YACINE NEMRA<\/li>\n<\/ul>\n\n<p>SYNTHETIC WORLDS<\/p>\n\n<ul>\n<li>AUDREY DELISSE (co-creator) &#8211; <em>Earth&#8217;s Twin (HEAD)<\/em><\/li>\n\n\n\n<li>BENJAMIN BOULESTEIX (co-creator) &#8211;&nbsp;<em>The Feast (HEAD)<\/em><\/li>\n\n\n\n<li>CAMILLE DE DIEU (co-creator) &#8211; <em>Ever&#8217;ett<\/em><\/li>\n\n\n\n<li>DOROTA GRAJEWSKA (co-creator) &#8211; <em>Growth Disperal (HEAD)<\/em><\/li>\n\n\n\n<li>EMMA PARENTE (co-creator) &#8211; <em>The Feast (HEAD)<\/em><\/li>\n\n\n\n<li>LAURENT NOVAC (co-creator) &#8211; <em>Ever&#8217;ett<\/em><\/li>\n\n\n\n<li>PAULINE BALDINETTI (co-creator) &#8211; <em>Earth&#8217;s Twin (HEAD)<\/em><\/li>\n\n\n\n<li>SALOME KAHN (co-creator) &#8211; <em>Growth Disperal (HEAD)<\/em><\/li>\n\n\n\n<li>TIKI BOURDIN (co-creator) &#8211; <em>Mondi Morbidi (HEAD)<\/em><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">TALES OF SWISS INNOVATION<\/h2>\n\n<ul>\n<li>COLLECTIF OIL PRODUCTIONS<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">NET FOUND FOOTAGE X HEAD<\/h2>\n\n<ul>\n<li>JEAN-MARC CHAPOULIE (director) &#8211; <em>Monsieur Google, \u00e0 qui appartient la r\u00e9alit\u00e9 ?<\/em><\/li>\n\n\n\n<li>KEVIN B. LEE (director) &#8211; <em>Transformers : the Premake<\/em><\/li>\n\n\n\n<li>LO\u00cfC HOBI (director) &#8211; <em>Les Nouveaux Dieux<\/em><\/li>\n\n\n\n<li>PAULINE JULIER (director)<\/li>\n<\/ul>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">JURYS<\/h2>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">JURY INTERNATIONAL FEATURE FILM COMPETITION<\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/ManiHaghighi-677x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/ManiHaghighi-677x675.jpg 677w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/ManiHaghighi-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/ManiHaghighi-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/ManiHaghighi-309x308.jpg 309w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/ManiHaghighi-857x855.jpg 857w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/ManiHaghighi.jpg 886w\" sizes=\"(max-width: 677px) 100vw, 677px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Mani Haghighi &#8211; president of the jury<\/h3>\n\n<p>Mani Haghighi&#8217;s first feature film, Abadan (2003), premiered at the Tribeca Film Festival. Men at Work (Berlinale, 2006), won the Best Screenplay Award at the Asian Film Awards. Modest Reception (Berlinale, 2012) won the Free Spirit Award at the Warsaw Film Festival. After The Dragon is Coming! (Berlinale, 2016), Pig (Berlinale, 2018) was named one of the best films of 2019 by the New Yorker magazine. His latest release, Subtraction (Toronto, 2022), is scheduled for release.<\/p>\n<\/div><\/div>\n\n\n<ul>\n<li>KORLEI ROCHAT (ECAL, CH)<\/li>\n\n\n\n<li>LISA MOUQUIN (UNIL, CH)<\/li>\n\n\n\n<li>YOUSSEF YOUSSEF (HEAD, CH\/EG)<\/li>\n\n\n\n<li>DAVID NGUYEN (HEAD, CH)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Jury International Series Competition<\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li>AUGUSTIN LEROY<\/li>\n\n\n\n<li>LAURENCE JAQUET<\/li>\n\n\n\n<li>LIONEL DEVAUX<\/li>\n\n\n\n<li>JASMINE DE MONTANIER<\/li>\n\n\n\n<li>JUDITH MARCHAL<\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">JURY INTERNATIONAL COMPETITION OF IMMERSIVE WORKS<\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"615\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_4979_c-615x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_4979_c-615x675.jpg 615w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_4979_c-188x206.jpg 188w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_4979_c-280x308.jpg 280w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_4979_c-778x855.jpg 778w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_4979_c-934x1026.jpg 934w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_4979_c-1229x1350.jpg 1229w\" sizes=\"(max-width: 615px) 100vw, 615px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Boris Labb\u00e9<\/h3>\n\n<p>Having studied at the \u00c9cole sup\u00e9rieure d&#8217;art de Tarbes and then at the \u00c9cole de cin\u00e9ma d&#8217;animation d&#8217;Angoul\u00eame, his work soon spread around the world, whether at contemporary art exhibitions, international film festivals, or during audiovisual concerts. He has received some fifty international distinctions. He is currently developing a virtual reality project (Mono no aware, Sacrebleu Productions) and a video scenography with composer Lucas Fagin (Glass House, produced by Ensemble Cairn).<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-675x675.jpeg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-675x675.jpeg 675w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-150x150.jpeg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-206x206.jpeg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-308x308.jpeg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-855x855.jpeg 855w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-1026x1026.jpeg 1026w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen-1350x1350.jpeg 1350w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Laura-Antwerpen.jpeg 1440w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Laura Olin<\/h3>\n\n<p>Laura Olin, COO &amp; Partner at ZOAN, a leading European virtual studio and the creator of Cornerstone.land metaverse and Burst Live fanverse. Laura Olin has produced some pioneering virtual work, such as virtual concerts and cultural heritage experiences. Her background is in marketing and journalism. Laura believes that technology is too important to be left to tech enthusiasts alone, and that is why she is passionate about better understanding how it might be used for creative purposes.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Headshots-2-edited-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Headshots-2-edited-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Headshots-2-edited-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Headshots-2-edited-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Headshots-2-edited-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Headshots-2-edited.jpg 719w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Luke Kemp<\/h3>\n\n<p>Luke Kemp is Acting Co-Head of Barbican Immersive (Formerly Barbican International Enterprises) at the Barbican, London. Barbican Immersive is a world leading creator of experiences that push the possibilities of digital exhibition making. Prior to working at the Barbican Luke has worked with galleries and organisations across the world to develop programming and projects including for the Venice Biennale and The Armory Art Fair amongst others.<\/p>\n<\/div><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Jury Future Is Sensible<\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_5304-edited-674x675.jpeg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_5304-edited-674x675.jpeg 674w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_5304-edited-150x150.jpeg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_5304-edited-206x206.jpeg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_5304-edited-308x308.jpeg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_5304-edited.jpeg 827w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Sabrina Calvo<\/h3>\n\n<p>Sabrina Calvo is a French multidisciplinary artist with multiple careers. As a writer, she has forged a place for herself in imaginary literature with her post-cyberpunk novel Toxoplasma, which won her the Grand Prix de l&#8217;Imaginaire. Her artistic sensibility also extends to poetry and fashion design, the latter of which she teaches at the HEAD &#8211; Geneva. Lastly, she is also involved in the creation of video games and virtual worlds.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-855x855.jpg 855w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-1026x1026.jpg 1026w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/giff-melanie-courtinat-9671-1350x1350.jpg 1350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">M\u00e9lanie Courtinat<\/h3>\n\n<p>M\u00e9lanie Courtinat is an immersive artist, born and based in Paris.<br>She considers videogames as a major medium and explores their properties within her practice, tending to push back their limits and to draw new parallels with other creative fields.<br>Her work has been exhibited around the world, notably at the Venice Immersive Biennale, the Tokyo Game show and the House of Electronic Arts in Basel.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-855x855.jpg 855w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-1026x1026.jpg 1026w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Kathrin_Kohlstedde-002-1350x1350.jpg 1350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Kathrin Kohlstedde<\/h3>\n\n<p>Searching for the right formulations for the questions of our times, Kathrin Kohlstedde studied philosophy and political science where her enthusiasm for the world beyond this world was awakened: cinema. Since 1999, she has brought her love and passion for film, its contents and the audience to Filmfest Hamburg as the Head of Programme. Kathrin is a selection member of the Berlinale Co-Production Market and a member of the European Film Academy.<\/p>\n<\/div><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">JURY European Script Award <\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/test_MG_4829webrute-copie-edited-1-674x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/test_MG_4829webrute-copie-edited-1-674x675.jpg 674w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/test_MG_4829webrute-copie-edited-1-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/test_MG_4829webrute-copie-edited-1-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/test_MG_4829webrute-copie-edited-1-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/test_MG_4829webrute-copie-edited-1.jpg 785w\" sizes=\"(max-width: 674px) 100vw, 674px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Virginie Brac&nbsp;<\/h3>\n\n<p>A renowned author of noir novels, her character Vera Cabral has been adapted for television. In addition to many TV movies, she created several series: Les Camarades, Les Beaux Mecs, Paris and Cannabis. She wrote season 2 and collaborated on season 4 of Engrenages, before adapting The Fall into Insoup\u00e7onnables, creating Cheyenne and Lola for OCS as well as Liaison, APPLE TV+&#8217;s first french series. She is currently writing season 2 of Black Hearts for Prime Video.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-855x855.jpg 855w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-1026x1026.jpg 1026w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/Louis-A-1-edited-1350x1350.jpg 1350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Louis Heinsman<\/h3>\n\n<p>Louis Heinsman (1952) studied Sociology and Mass Communication. He is the (co-)author of several books on media policy. After working at Rotterdam and Nijmegen Universities, he in 1981 joined Netherlands Public Broadcasting (NPO) where he was employed in several capacities, most recently as Senior Advisor International Relations. In 1987 he was one of the founders (and since 2008 President) of the European Alliance for Television and Culture (EATC).<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-855x855.jpg 855w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-1025x1026.jpg 1025w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited-1349x1350.jpg 1349w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/10\/IMG_7810-edited.jpg 1795w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Constance Jamet<\/h3>\n\n<p>A graduate of the Sciences-Po school of journalism, she joined the general news department of figaro.fr in 2007. Fan of X-Files, Friends and Buffy since her teenage years, avid fan of pop-culture and crowned heads, she soon put her skills and passion in the service of the culture and television department of the Figaro paper as head of section, as well as participating in the selection committee of the Luchon festival.<\/p>\n<\/div><\/div><\/div><\/div>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>GENEVA AWARD NICOLAS Winding Refn After Xavier Dolan, Mads Mikkelsen and Luca Guadagnino, the Geneva International Film Festival presents the Geneva Award to the Danish genius Nicolas Winding Refn. A filmmaker of contrasts, the master of the cinematic uppercut will share his visions and sorceries. An unmissable event in the presence of a true visionary [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/pages\/29716"}],"collection":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/comments?post=29716"}],"version-history":[{"count":3,"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/pages\/29716\/revisions"}],"predecessor-version":[{"id":45385,"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/pages\/29716\/revisions\/45385"}],"wp:attachment":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/en\/wp-json\/wp\/v2\/media?parent=29716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}