{"id":32577,"date":"2019-11-05T11:02:00","date_gmt":"2019-11-05T10:02:00","guid":{"rendered":"https:\/\/giff.daisybell.ch\/?post_type=giff_unlimited&#038;p=32577"},"modified":"2021-10-10T11:14:58","modified_gmt":"2021-10-10T09:14:58","slug":"giff-x-internationale-kurzfilmtage-winterthur","status":"publish","type":"giff_unlimited","link":"https:\/\/www.giff.ch\/archives\/2022\/giff_unlimited\/giff-x-internationale-kurzfilmtage-winterthur\/","title":{"rendered":"GIFF X INTERNATIONALE KURZFILMTAGE WINTERTHUR"},"content":{"rendered":"\n<p><strong>Le&nbsp;<a href=\"http:\/\/www.giff.ch\/archives\/2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">Geneva International Film Festival<\/a>&nbsp;poursuit son&nbsp;<a href=\"https:\/\/www.giff.ch\/archives\/2022\/programme-plugs\/?wpvanneeduplug=2019\" target=\"_blank\" rel=\"noreferrer noopener\">programme PLUGS<\/a>&nbsp;et fera escale au Internationale&nbsp;<a href=\"https:\/\/www.kurzfilmtage.ch\/DE\">Kurzfilmtage Winterthur<\/a>.<\/strong><\/p>\n\n\n\n<p>En m\u00eame temps que le GIFF, se tiennent \u00e0 l\u2019autre bout de la Suisse, les journ\u00e9es internationales du court m\u00e9trage de Winterthour \u2013 ou&nbsp;<strong>Internationale Kurzfilmtage Winterthur.<\/strong><\/p>\n\n\n\n<p>Depuis l\u2019an pass\u00e9, les deux manifestations ont d\u00e9cid\u00e9 de collaborer en \u00e9changeant programmes VR et courts m\u00e9trages. Au menu de cette s\u00e9lection 2019, des films iconoclastes et jeunes qui repoussent les limites du langage cin\u00e9matographique.<\/p>\n\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"592\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/estamos-todos-aqui-1-1024x592-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/estamos-todos-aqui-1-1024x592-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/estamos-todos-aqui-1-1024x592-1-356x206.jpg 356w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/estamos-todos-aqui-1-1024x592-1-533x308.jpg 533w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">ESTAMOS TODO AQUI<\/h3>\n\n<p>Chico Santos, Rafael Mellim \/ Br\u00e9sil \/ 2018 \/ 19 min \/ Docu-fiction<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/kids-michael-frei-1-1024x600-1.png\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/kids-michael-frei-1-1024x600-1.png 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/kids-michael-frei-1-1024x600-1-352x206.png 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/kids-michael-frei-1-1024x600-1-526x308.png 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">KIDS<\/h3>\n\n<p>Michael Frei \/ Suisse \/ 2019 \/ 9 min \/ Animation<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Les-petites-Vacances-de-Louise-Groult-1024x769-1-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Les-petites-Vacances-de-Louise-Groult-1024x769-1-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Les-petites-Vacances-de-Louise-Groult-1024x769-1-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Les-petites-Vacances-de-Louise-Groult-1024x769-1-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">LES PETITES VACANCES<\/h3>\n\n<p>Louise Groult \/ France \/ 2018 \/ 24 min \/ Drame<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/little-lower-than-the-angels-1-1-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/little-lower-than-the-angels-1-1-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/little-lower-than-the-angels-1-1-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/little-lower-than-the-angels-1-1-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">LITTLE LOWER THAN THE ANGELS<\/h3>\n\n<p>NEOZOON \/ Allemagne \/ 2019 \/ 13 min \/ Exp\u00e9rimental, Com\u00e9die<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/MARYMARY_still1_16_9-1-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/MARYMARY_still1_16_9-1-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/MARYMARY_still1_16_9-1-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/MARYMARY_still1_16_9-1-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">MARY, MARY, SO CONTRARY<\/h3>\n\n<p>Nelson Yeo \/ Singapour \/ 2019 \/ 14 min \/ Exp\u00e9rimental, Drame<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"450\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/physique-de-la-tristesse-1-1024x450-1.png\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/physique-de-la-tristesse-1-1024x450-1.png 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/physique-de-la-tristesse-1-1024x450-1-469x206.png 469w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/physique-de-la-tristesse-1-1024x450-1-701x308.png 701w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">PHYSIQUE DE LA TRISTESSE<\/h3>\n\n<p>Theodore Ushev \/ Canada \/ 2019 \/ 27 min \/ Animation, Drame<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/postcards-from-the-end-of-the-worls-1-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/postcards-from-the-end-of-the-worls-1-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/postcards-from-the-end-of-the-worls-1-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/postcards-from-the-end-of-the-worls-1-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">POSTCARDS FROM THE END OF THE WORLD<\/h3>\n\n<p>Konstantionos Antonopoulos \/ Gr\u00e8ce \/ 2019 \/ 23 min \/ Drame<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Suspension_d_audience-1-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Suspension_d_audience-1-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Suspension_d_audience-1-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/Suspension_d_audience-1-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">SUSPENSION D\u2019AUDIENCE<\/h3>\n\n<p>Nina Marissiaux \/ Belgique \/ 2018 \/ 23 min \/ Documentaire<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/the-lousiest-spy-ever-1-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/the-lousiest-spy-ever-1-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/the-lousiest-spy-ever-1-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/the-lousiest-spy-ever-1-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">THE LOUSIEST SPY EVER<\/h3>\n\n<p>Rhona M\u00fchlebach \/ Royaume-Uni \/ 2019 \/ 5 min \/ Com\u00e9die, Drame<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/yandere-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/yandere-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/yandere-1-366x206.jpg 366w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/yandere-1-548x308.jpg 548w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">YANDERE\u00a0WILLIAM<\/h3>\n\n<p>Laboury \/ France \/ 2019 \/ 20 min \/ Drame, Romantique<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '>\n<p>Du 5 au 10 novembre 2019, l\u2019<a href=\"https:\/\/www.kurzfilmtage.ch\/DE\">Internationale Kurzfilmtage de Winterthur<\/a>\u00a0a pr\u00e9sent\u00e9 une s\u00e9lection de films VR curat\u00e9e par le GIFF.<\/p>\n<\/div><div class='col col-12 col-md-6 '><\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/ASHE-68-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/ASHE-68-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/ASHE-68-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/ASHE-68-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">ASHE \u201968<\/h3>\n\n<p>Brad Lichtenstein \/ \u00c9tats-Unis d\u2019Am\u00e9rique \/ 2019 \/ 7 min \/ Animation, Documentaire Dans la longue et sinueuse histoire du combat pour les droits civiques des Afro-Am\u00e9ricains, Arthur Ashe fait figure de grand oubli\u00e9. En 1968, ce tennisman et activiste fut pourtant le premier athl\u00e8te noir \u00e0 remporter l\u2019US Open. Ce beau r\u00e9cit immersif lui rend un hommage n\u00e9cessaire.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Accused-2_-Walter-Sisulu-Film-Still-Photo-854702-1024x600-1.png\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Accused-2_-Walter-Sisulu-Film-Still-Photo-854702-1024x600-1.png 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Accused-2_-Walter-Sisulu-Film-Still-Photo-854702-1024x600-1-352x206.png 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Accused-2_-Walter-Sisulu-Film-Still-Photo-854702-1024x600-1-526x308.png 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">ACCUSED #2: WALTER SISULU<\/h3>\n\n<p>Gilles Porte, Nicolas Champeaux \/ France \/ 2019 \/ 14 min \/ Documentaire, Animation Mentor de Mandela, Walter Sisulu est une figure-cl\u00e9 de la lutte contre l\u2019apartheid. Bas\u00e9 sur les archives sonores de son proc\u00e8s, ce film d\u2019animation en VR trait\u00e9 comme au charbon rend compte de la violence du syst\u00e8me mis en place comme du courage et de la t\u00e9nacit\u00e9 de ceux qui l\u2019ont fait tomber.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/NeuroSpeculative-AfroFeminism-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/NeuroSpeculative-AfroFeminism-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/NeuroSpeculative-AfroFeminism-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/NeuroSpeculative-AfroFeminism-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">NEUROSPECULATIVE AFROFEMINISM<\/h3>\n\n<p>Ashley Baccus-Clark, Carmen Aguilar y Wedge, Ece Tankal, Nitzan Bartov \/ 5 min \/ 2017 \/ USA<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-The-Tide-Episode-1-4-Film-Still-Photo-859442-1024x600-1.png\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-The-Tide-Episode-1-4-Film-Still-Photo-859442-1024x600-1.png 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-The-Tide-Episode-1-4-Film-Still-Photo-859442-1024x600-1-352x206.png 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-The-Tide-Episode-1-4-Film-Still-Photo-859442-1024x600-1-526x308.png 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">THE TIDE\u00a0(JO-EUI YOUNG-YEOK)<\/h3>\n\n<p>Yoo Tae-kyung \/ 30 min \/ \u00e9pisodes 1-4 \/ 2019 \/ Cor\u00e9e du Sud \/ Animation Du jour au lendemain, les fonds marins laissent \u00e9chapper toutes sortes de cr\u00e9atures mangeuses d\u2019hommes. Comment survivre ? Hybridation entre BD immersive et cin\u00e9ma d\u2019animation,&nbsp;<em>The Tide<\/em>&nbsp;est un condens\u00e9 de fantastique sud-cor\u00e9en, qui n\u2019est pas sans rappeler&nbsp;<em>The Host<\/em>, du palm\u00e9 Boog Joon-ho.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Pneumo-Hacker-Film-Still-1-887860-1000x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Pneumo-Hacker-Film-Still-1-887860-1000x600-1.jpg 1000w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Pneumo-Hacker-Film-Still-1-887860-1000x600-1-343x206.jpg 343w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Pneumo-Hacker-Film-Still-1-887860-1000x600-1-513x308.jpg 513w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">PNEUMO HACKER (FE\u00cc Z\u00c0NG JI D\u00d2NG DUE\u00cc)<\/h3>\n\n<p>Lai Kuan-Yuan \/ Ta\u00efwan \/ 2019 \/ 11 min \/ Science-fiction, Fantastique Dans un labo cyberpunk, un bataillon d\u2019anti-hackers lutte pour lib\u00e9rer l\u2019air de ses virus informatiques et sauver les humains infect\u00e9s. De la SF ta\u00efwanaise fi\u00e9vreuse qui rappelle l\u2019univers post-apocalyptique de Matrix et les romans de Gibson.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Claude-Monet-The-Water-Lily-obsession-Film-Still-Photo-864098-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Claude-Monet-The-Water-Lily-obsession-Film-Still-Photo-864098-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Claude-Monet-The-Water-Lily-obsession-Film-Still-Photo-864098-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Claude-Monet-The-Water-Lily-obsession-Film-Still-Photo-864098-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">NICOLAS TH\u00c9POT \/ FRANCE \/ 2019 \/ 8 MIN \/ ANIMATION<\/h3>\n\n<p>Claude Monet a peint pr\u00e8s de 250 toiles repr\u00e9sentant les nymph\u00e9as de son \u00e9tang de Giverny, dont les huit panneaux de l\u2019Orangerie \u00e0 Paris. A travers cette fantaisie virtuelle, l\u2019\u0153uvre florale de l\u2019immense impressionniste prend vie et se raconte de l\u2019int\u00e9rieur. Po\u00e9tique, passionnant.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Das-Totale-Tanz-Theater-Film-Still-1-913997-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Das-Totale-Tanz-Theater-Film-Still-1-913997-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Das-Totale-Tanz-Theater-Film-Still-1-913997-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Das-Totale-Tanz-Theater-Film-Still-1-913997-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">DAS TOTALE TANZ THEATER<\/h3>\n\n<p>Diana Schniedermeier, Maya Puig \/ Allemagne \/ 2019 \/ 12 min \/ Exp\u00e9rimental Transposition virtuelle du th\u00e9\u00e2tre total dont r\u00eavait le mouvement Bauhaus, cette exp\u00e9rience in\u00e9dite fait entrer les r\u00e9flexions plastiques de Gropius et Schlemmer dans l\u2019\u00e2ge digital. Comme une gigantesque f\u00eate r\u00e9tro-futuriste, o\u00f9 la musique du compositeur Lorenzo Bianchi Hoesch et les chor\u00e9graphies de Richard Siegal feraient danser les machines.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"450\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/WEB-1-22.7\u00b0C_-1024x450-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/WEB-1-22.7\u00b0C_-1024x450-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/WEB-1-22.7\u00b0C_-1024x450-1-469x206.jpg 469w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/WEB-1-22.7\u00b0C_-1024x450-1-701x308.jpg 701w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">-22.7\u00b0C<em><\/em><\/h3>\n\n<p>Jan Kounen, Amaury La Burthe, Romain de La Haye-S\u00e9rafini \/ France \/ 2019 \/ 8 min \/ Documentaire, Animation Parti seul en Arctique, le musicien Mol\u00e9cule capture les sons du Grand Nord pour en tisser un op\u00e9ra \u00e9lectronique. Passionn\u00e9 de VR, le cin\u00e9aste Jan Kounen retranscrit cette qu\u00eate musicale et initiatique en signant une ode virtuelle \u00e0 la solitude m\u00e9taphysique des grands espaces.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-6 '><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"600\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Passenger-Film-Still-1-911653-1024x600-1.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Passenger-Film-Still-1-911653-1024x600-1.jpg 1024w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Passenger-Film-Still-1-911653-1024x600-1-352x206.jpg 352w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2021\/10\/giff-2019-Passenger-Film-Still-1-911653-1024x600-1-526x308.jpg 526w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/div><div class='col col-12 col-md-6 '>\n<h3 class=\"wp-block-heading\">PASSENGER<\/h3>\n\n<p>Isobel Knowles, Van Sowerwine \/ Australie \/ 2019 \/ 10 min \/ Animation Vous voil\u00e0 oiseau, assis \u00e0 l\u2019arri\u00e8re d\u2019un taxi. Un chauffeur, curieux volatile lui aussi, vous conduit \u00e0 travers une ville sans cesse changeante jusqu\u2019\u00e0 votre nouveau domicile. Un voyage tr\u00e8s, tr\u00e8s inattendu. Une animation \u00e0 la Michel Gondry au service d\u2019une parabole maligne de la migration.<\/p>\n<\/div><\/div>","protected":false},"featured_media":32578,"template":"","acf":[],"_links":{"self":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/giff_unlimited\/32577"}],"collection":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/giff_unlimited"}],"about":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/types\/giff_unlimited"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/media\/32578"}],"wp:attachment":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/media?parent=32577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}