{"id":37365,"date":"2022-04-08T11:25:58","date_gmt":"2022-04-08T09:25:58","guid":{"rendered":"https:\/\/www.giff.ch\/archives\/2022\/?post_type=giff_unlimited&#038;p=37365"},"modified":"2022-03-01T11:45:09","modified_gmt":"2022-03-01T10:45:09","slug":"giff-unlimited-veyrier","status":"publish","type":"giff_unlimited","link":"https:\/\/www.giff.ch\/archives\/2022\/giff_unlimited\/giff-unlimited-veyrier\/","title":{"rendered":"GIFF Unlimited @VEYRIER &#8211; cin\u00e9ma vr"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class='row '><div class='col col-12 col-md-8'>\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p>Pour la deuxi\u00e8me ann\u00e9e cons\u00e9cutive,&nbsp;le Geneva&nbsp;International Film Festival (GIFF) en collaboration avec la Commune de Veyrier&nbsp;vous propose&nbsp;un programme&nbsp;unique et vertigineux d\u2019\u0153uvres&nbsp;en r\u00e9alit\u00e9 virtuelle.&nbsp;Du&nbsp;8 au 10 avril 2022, \u00e0&nbsp;<a class=\"\" href=\"https:\/\/www.veyrier.ch\/taxonomy\/term\/56\/1\">l\u2019Espace&nbsp;culturel \u2013 La Mansarde<\/a>,&nbsp;muni\u00b7e\u00b7s d\u2019un casque VR et install\u00e9\u00b7e\u00b7s sur des si\u00e8ges&nbsp;pivotant, vous aurez l\u2019occasion de plonger au c\u0153ur&nbsp;d&rsquo;univers artistiques con\u00e7us&nbsp;\u00e0 360\u00b0. Gr\u00e2ce \u00e0 ce nouveau langage, les \u0153uvres prennent vie dans un espace tridimensionnel&nbsp;tout autour de vous et vous t\u00e9l\u00e9portent au centre du r\u00e9cit. Osez&nbsp;perdre pied et&nbsp;tentez&nbsp;l\u2019exp\u00e9rience !&nbsp;<\/p>\n\n<p><\/p>\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><div class='col col-12 col-md-4'>\n<p><\/p>\n\n<p><\/p>\n\n<h3 class=\"wp-block-heading\" id=\"du-8-au-10-avril-2022\">Du&nbsp;8 au 10 avril 2022<\/h3>\n\n<p><a href=\"https:\/\/etickets.infomaniak.com\/shop\/pC24OJfToM\/events\/440066\/\" target=\"_blank\" rel=\"noreferrer noopener\">BILLETTERIE<\/a><\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\" id=\"replacements\"><strong>Replacements<\/strong><\/h3>\n\n<p>Jonathan Hagard \/ Japon, Indon\u00e9sie, Allemagne \/ 2020 \/ 12 min \/ Animation, Docu-fiction&nbsp;\/ Sans dialogue<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Replacements-1080x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Replacements-1080x675.jpg 1080w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Replacements-330x206.jpg 330w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Replacements-493x308.jpg 493w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Replacements-1368x855.jpg 1368w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Replacements-1642x1026.jpg 1642w\" sizes=\"(max-width: 1080px) 100vw, 1080px\" \/>\n<p>Dans un quartier imaginaire de Jakarta sont d\u00e9peints les changements dans la vie&nbsp;d&rsquo;une famille javanaise au fil de trois g\u00e9n\u00e9rations. Les saisons, les d\u00e9cors, les&nbsp;coutumes et traditions populaires se succ\u00e8dent, mais aussi les symboles religieux et&nbsp;spirituels jusqu&rsquo;\u00e0 l&rsquo;av\u00e8nement de l&rsquo;extr\u00e9misme islamiste. Un r\u00e9cit anim\u00e9 qui t\u00e9moigne&nbsp;avec justesse des profondes transformations urbaines, environnementales, politiques&nbsp;et culturelles de la capitale indon\u00e9sienne, de 1980 \u00e0 aujourd\u2019hui.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-3\"><a href=\"Trailer:\u00a0https:\/\/www.youtube.com\/watch?v=KjXP673i_cs\">Trailer<\/a><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"the-orchid-and-the-bee\"><strong>The Orchid and the Bee&nbsp;<\/strong><\/h3>\n\n<p>Frances Adair McKenzie \/ Canada \/ 2020 \/ 5 min \/ Animation \/ Sans dialogue&nbsp;<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1200x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1200x675.jpg 1200w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-366x206.jpg 366w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-548x308.jpg 548w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1520x855.jpg 1520w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1824x1026.jpg 1824w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee.jpg 1920w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/>\n<p>Inspir\u00e9 de la th\u00e9orie de l&rsquo;\u00e9volution de Darwin,&nbsp;The Orchid and the Bee, est une ode&nbsp;expressionniste \u00e0 la lutte pour l\u2019existence, qui se d\u00e9roule en trois actes. Une histoire&nbsp;d&rsquo;amour interesp\u00e8ce place le\u00b7la spectateur\u00b7rice au centre d\u2019une s\u00e9rie d\u2019\u00e9v\u00e9nements&nbsp;en mutation et traite du th\u00e8me universel de la relation entre l\u2019\u00eatre humain et la nature.&nbsp;Une exp\u00e9rience magique, m\u00ealant magistralement st\u00e9r\u00e9oscopie, r\u00e9alit\u00e9 virtuelle et&nbsp;animation stop motion.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-4\"><strong><a href=\"https:\/\/vimeo.com\/420661319\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a><\/strong><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"ex-anima\"><strong>Ex Anima&nbsp;<\/strong><\/h3>\n\n<p>Pierre Zandrowicz, Bartabas \/ France \/ 2019 \/ 13 min \/ Documentaire \/ Sans dialogue&nbsp;<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"618\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/ex-anima.webp\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/ex-anima.webp 928w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/ex-anima-309x206.webp 309w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/ex-anima-462x308.webp 462w\" sizes=\"(max-width: 928px) 100vw, 928px\" \/>\n<p>Le ma\u00eetre du th\u00e9\u00e2tre \u00e9questre Bartabas met en sc\u00e8ne ses&nbsp;chevaux et leur fait raconter, autonomes, le long r\u00e9cit de leur&nbsp;relation \u00e0 l\u2019Homme, \u00e0 la fois tortueuse et fusionnelle.<br>Dans un d\u00e9cor onirique, le spectateur est au centre d\u2019une ronde&nbsp;hypnotique, po\u00e9sie visuelle aux accents post-apocalyptiques.&nbsp;Une&nbsp;exp\u00e9rience unique, en r\u00e9alit\u00e9 virtuelle.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer\"><strong><a href=\"https:\/\/www.youtube.com\/watch?v=H4TyjO6UiDI\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a><\/strong><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"odyssey-1-4-9\"><strong>Odyssey 1.4.9&nbsp;<\/strong><\/h3>\n\n<p>Fran\u00e7ois Vautier \/ France \/ 2019 \/ 8 min \/ Docu-fiction \/ Sans dialogue<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1200x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1200x675.jpg 1200w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-366x206.jpg 366w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-548x308.jpg 548w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1520x855.jpg 1520w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1824x1026.jpg 1824w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/>\n<p>R\u00e9alis\u00e9 sous forme d\u2019hommage personnel,&nbsp;Odyssey 1.4.9&nbsp;est une invitation \u00e0&nbsp;voyager au c\u0153ur du chef d\u2019\u0153uvre de Stanley Kubrick,&nbsp;2001, l\u2019Odyss\u00e9e de l\u2019espace.&nbsp;En recr\u00e9ant le mythique monolithe noir \u00e0 partir de sc\u00e8nes cultes issues du film,&nbsp;Fran\u00e7ois Vautier propose une immersion sensorielle qui r\u00e9v\u00e8le toute l\u2019ambition et la&nbsp;complexit\u00e9 conceptuelle du projet kubrickien et cristallise son sujet principal \u2013&nbsp;l\u2019intelligence artificielle \u2013 rest\u00e9e une question \u00e9minemment contemporaine.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-1\"><a href=\"https:\/\/vimeo.com\/239123026\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"saturnism\"><strong>Saturnism&nbsp;<\/strong><\/h3>\n\n<p>Mihai Grecu \/ France \/ 2020 \/ 4 min \/ Fiction \/ Sans dialogue<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Saturnism-546x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Saturnism-546x675.jpg 546w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Saturnism-167x206.jpg 167w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Saturnism-249x308.jpg 249w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Saturnism-692x855.jpg 692w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Saturnism-831x1026.jpg 831w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Saturnism-1093x1350.jpg 1093w\" sizes=\"(max-width: 546px) 100vw, 546px\" \/>\n<p>Peinte directement sur les murs de sa maison, l\u2019\u0153uvre&nbsp;Saturne d\u00e9vorant son enfant&nbsp;de Francisco Goya fait r\u00e9f\u00e9rence \u00e0 la mythologie grecque, quand le roi Cronos&nbsp;d\u00e9vore chacun de ses enfants pour contrer la pr\u00e9diction selon laquelle il serait&nbsp;d\u00e9tr\u00f4n\u00e9 par l\u2019un de ses fils.&nbsp;Saturnism&nbsp;est une immersion \u00e0 l\u2019\u00e9chelle humaine dans&nbsp;l\u2019une des peintures les plus sombres et obs\u00e9dantes de l\u2019histoire de l\u2019art, o\u00f9 la peur de&nbsp;perdre le pouvoir pousse \u00e0 la folie.<\/p>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h2 class=\"wp-block-heading\" id=\"oeuvres-libre-acces-jeune-tout-public\"><strong>\u0152UVRES LIBRE ACCES JEUNE\/ TOUT PUBLIC<\/strong><\/h2>\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"quand-elle-sort-de-sa-boite-gordon-marie-sellier-france-2021-28-min-animation-realite-augmentee-vo-franca\"><strong>Quand elle sort&nbsp;de sa bo\u00eete<\/strong><\/h3>\n\n<p id=\"quand-elle-sort-de-sa-boite-gordon-marie-sellier-france-2021-28-min-animation-realite-augmentee-vo-franca\"><br>Gordon, Marie Sellier \/ France \/ 2021 \/ 28 min \/ Animation \/ r\u00e9alit\u00e9 augment\u00e9e \/ vo. Fran\u00e7ais<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-928x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-928x675.jpg 928w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-283x206.jpg 283w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-423x308.jpg 423w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-1175x855.jpg 1175w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out.jpg 1384w\" sizes=\"(max-width: 928px) 100vw, 928px\" \/>\n<p>Dans cette surprenante et ludique exp\u00e9rience en r\u00e9alit\u00e9 augment\u00e9e, la jeune&nbsp;danseuse Marie part \u00e0 la rencontre des personnages qui, comme elle, sont&nbsp;\u00e9ternellement fig\u00e9\u00b7e\u00b7s parmi les plus c\u00e9l\u00e8bres oeuvres d&rsquo;art du Mus\u00e9e d\u2019Orsay.&nbsp;<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-2\"><a href=\"https:\/\/www.youtube.com\/watch?v=AzwfmJVmGOE\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a>&nbsp;<\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"clap\"><strong>Clap<\/strong><\/h3>\n\n<p>Itoh Keisuke \/ Japon \/ 2021 \/ 13 min \/ Animation \/ r\u00e9alit\u00e9 virtuelle \/ sans dialogue&nbsp;<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Clap-1200x675.png\" class=\"img-fluid\" alt=\"GIFF 2022\" srcset=\"https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Clap-1200x675.png 1200w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Clap-366x206.png 366w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Clap-548x308.png 548w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Clap-1520x855.png 1520w, https:\/\/www.giff.ch\/archives\/2022\/wp-content\/uploads\/2022\/02\/Clap-1824x1026.png 1824w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><p class='small mt-1'>Mi-humano\u00efde, mi-cr\u00e9ature de fil, le protagoniste principal de cette fable en r\u00e9alit\u00e9 virtuelle retrouve confiance en lui gr\u00e2ce \u00e0 la danse. En utilisant ses propres mains, le\u00b7la spectateur\u00b7trice est invit\u00e9 \u00e0 accompagner le rythme de la musique et des applaudissements !<br><\/p><\/div><div class='col col-12 col-md-4'><\/div><\/div>\n\n\n<p><\/p>\n","protected":false},"featured_media":37624,"template":"","acf":[],"_links":{"self":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/giff_unlimited\/37365"}],"collection":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/giff_unlimited"}],"about":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/types\/giff_unlimited"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/media\/37624"}],"wp:attachment":[{"href":"https:\/\/www.giff.ch\/archives\/2022\/wp-json\/wp\/v2\/media?parent=37365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}