{"id":29716,"date":"2021-09-01T22:04:31","date_gmt":"2021-09-01T20:04:31","guid":{"rendered":"https:\/\/giff.daisybell.ch\/?page_id=29716"},"modified":"2023-10-30T12:42:15","modified_gmt":"2023-10-30T11:42:15","slug":"guests-jurys","status":"publish","type":"page","link":"https:\/\/www.giff.ch\/archives\/2023\/en\/guests-jurys\/","title":{"rendered":"Guests &#038; JURYS"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\"><br>THIS LIST WILL BE REGULARLY UPDATED.<br><br><\/h5>\n\n\n\n<h2 class=\"wp-block-heading\">GENEVA AWARD <\/h2>\n\n\n\n<p><\/p>\n\n\n<div class='row '><div class='col col-12 '><div class='row '><div class='col col-12 col-md-4'>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\"><img loading=\"lazy\" decoding=\"async\" width=\"744\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Kourtrajme-copie-744x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Kourtrajme-copie-744x675.jpg 744w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Kourtrajme-copie-227x206.jpg 227w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Kourtrajme-copie-340x308.jpg 340w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Kourtrajme-copie-943x855.jpg 943w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Kourtrajme-copie-1131x1026.jpg 1131w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Kourtrajme-copie.jpg 1191w\" sizes=\"(max-width: 744px) 100vw, 744px\" \/><\/figure>\n<\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">kourtrajm\u00e9 collective<\/h3>\n\n<p>Founded in 1994 by filmmakers Kim Chapiron, Romain Gavras and Toumani Sangar\u00e9, the Kourtrajm\u00e9 collective brings together over a hundred artists who make up the richness and plurality of this group in phase with the protean audiovisual milieu. Anchored in the digital turn of the new millennium, the collective&#8217;s singular trajectory is marked by a bold use of new media. In 2018, Kourtrajm\u00e9 expanded with its own school, created under the impetus of filmmaker Ladj Ly and now headed by Nabil Zerfa. Free and accessible, the school trains young talent in the various image professions and in narrative innovation. <\/p>\n\n<p>In the presence of Ladj Ly, Kim Chapiron, Romain Gavras, Toumani Sangar\u00e9, Nabil Zerfa, Yassine Lassar Ramdani<\/p>\n\n<p><a href=\"https:\/\/www.giff.ch\/archives\/2023\/en\/program\/\">Full program here<\/a><a href=\"https:\/\/www.giff.ch\/archives\/2023\/en\/program\/geneva\/\">! <\/a><\/p>\n\n<ul>\n<li>ROMAIN GAVRAS \u2013 Athena (director,&nbsp;screenwriter)<\/li>\n\n\n\n<li>LADJ LY \u2013 Athena (screenwriter), B\u00e2timent 5 (director), Casual Gone (producer), \u00c9cr\u00e9m\u00e9 (producer)<\/li>\n\n\n\n<li>TOUMANI SANGAR\u00c9&nbsp;\u2013 Ecole Kourtrajm\u00e9<\/li>\n\n\n\n<li>KIM CHAPIRON \u2013 Le jeune Imam (director)<\/li>\n\n\n\n<li>YASSINE LASSAR RAMDANI \u2013 Ecole Kourtrajm\u00e9<\/li>\n\n\n\n<li>NABIL ZERFA \u2013 Ecole Kourtrajm\u00e9<\/li>\n\n\n\n<li>BOUHAR BOINA \u2013 Student, Ecole Kourtrajm\u00e9&nbsp;<\/li>\n\n\n\n<li>MANAL KHALLOU \u2013Student, Ecole Kourtrajm\u00e9<\/li>\n\n\n\n<li>DRISS MARGUERIT \u2013 Student, Ecole Kourtrajm\u00e9&nbsp;<\/li>\n<\/ul>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<h2 class=\"wp-block-heading\">Film &amp; Beyond<\/h2>\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-855x855.jpg 855w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-1026x1026.jpg 1026w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/1_JMJ-copie-1350x1350.jpg 1350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/>\n<p><\/p>\n<\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">JEAN-MICHEL JARRE<\/h3>\n\n<p>GIFF pays tribute to legendary composer, performer, producer and creator of immersive experiences Jean-Michel Jarre. A visionary artist and a key figure in electronic music, Jean-Michel Jarre has distinguished himself throughout his career by his avant-garde vision. Having left his mark on the music industry with memorable works such as the legendary <em>Oxyg\u00e8ne<\/em> album and his extraordinary concerts, Jean-Michel Jarre&#8217;s creativity is also linked to his exploration of new technological trends. He receives the Film &amp; Beyond Award in recognition of his outstanding contribution to music and the digital arts and gives a masterclass about his extraordinary career and his interest in new technologies.<\/p>\n\n<p><a href=\"https:\/\/www.giff.ch\/archives\/2023\/en\/program\/\">Full p<\/a><a href=\"https:\/\/www.giff.ch\/archives\/2023\/programme\/film_beyond\/\">rogram here! <\/a><\/p>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<h2 class=\"wp-block-heading\">Tales of Swiss Innovation<\/h2>\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"339\" height=\"338\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Marguerite-Kudelski-00641.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Marguerite-Kudelski-00641.jpg 339w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Marguerite-Kudelski-00641-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Marguerite-Kudelski-00641-207x206.jpg 207w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/Marguerite-Kudelski-00641-309x308.jpg 309w\" sizes=\"(max-width: 339px) 100vw, 339px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">MARGUERITE KUDELSKI<\/h3>\n\n<p>This year, GIFF celebrates the Swiss company Kudelski and its enduring presence within the global audiovisual industry, in particular its iconic invention \u201cthe Nagra\u201d, a family of magnetic tape sound recorders. Introduced to the market in 1951 by Stefan Kudelski, these devices revolutionized sound recording for film, television, radio and elsewhere, thanks to their portability and efficiency \u2013 not only technically and practically, but also artistically. Marguerite Kudelski, Stefan&#8217;s daughter and currently a member of Kudelski-Nagra&#8217;s Board of Directors, will be present at GIFF to explore the history of Nagra in a Masterclass discussion with researchers from the University of Lausanne.<\/p>\n\n<p><a href=\"https:\/\/www.giff.ch\/archives\/2023\/en\/program\/\">Full program here!<\/a><a href=\"https:\/\/www.giff.ch\/archives\/2023\/en\/program\/mythologie\/\"> <\/a><\/p>\n<div class='row '><div class='col col-12 '><\/div><\/div><\/div><\/div>\n<h4 class=\"wp-block-heading d-none\">La liste compl\u00e8te des Guests du GIFF 2021 sera annonc\u00e9e d\u00e8s le 26 octobre.<\/h4>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 '>\n<h2 class=\"wp-block-heading\"><strong>International Feature Competition<\/strong><\/h2>\n\n<ul>\n<li>RAMATA-TOULAYE SY \u2013 Banel &amp; Adama (director)&nbsp;<\/li>\n\n\n\n<li>TIMM KR\u00d6GER \u2013 Die Theorie von Allem (director)&nbsp;<\/li>\n\n\n\n<li>H\u00c9L\u00c9NA&nbsp;KLOTZ \u2013 La v\u00e9nus d\u2019argent (director)&nbsp;<\/li>\n\n\n\n<li>\u00c9LISE&nbsp;GIRARD \u2013 Sidonie au Japon (director)<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\"><strong>International Series Competition<\/strong><\/h2>\n\n<ul>\n<li>SOFIE GR\u00c5B\u00d8L \u2013 Prisoner (actress)&nbsp;<\/li>\n\n\n\n<li>CATHLEEN ROULEAU \u2013 A Propos d\u2019Antoine (creator)<\/li>\n\n\n\n<li>SYLVAIN PARENT-B\u00c9DARD \u2013 A Propos d\u2019Antoine (producer)<\/li>\n\n\n\n<li>ZITA THEUNYNCK \u2013 The Club (creator)&nbsp;<\/li>\n\n\n\n<li>LEANDER VERDIEVEL \u2013 The Club (creator)&nbsp;<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\"><strong>International Immersive Experience<\/strong><\/h2>\n\n<ul>\n<li>FABIENNE GIEZENDANNER &#8211; Bloom (creator)<\/li>\n\n\n\n<li>MARIANA CADENAS &#8211; Draw for Change: existimos, resistimos (creator)&nbsp;<\/li>\n\n\n\n<li>DAN TUCKER &#8211; In Pursuit of Repetitive Beats (producer)<\/li>\n\n\n\n<li>MACIEJ ZEMOJCIN &#8211; Murals (producer)&nbsp;<\/li>\n\n\n\n<li>PATRICIA ECHEVERRIA LIRAS &#8211; Remember This Place: 31\u00b020\u201946\u2019\u2019N 34\u00b046\u201946\u2019\u2019E (creator, director)<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">FUTURE IS SENSIBLE competition<\/h2>\n\n<ul>\n<li>TOM MILLEN &#8211; Consensus Gentium&nbsp;(producer)<\/li>\n\n\n\n<li>LAURENT RIME &#8211; Them. Us. Me (creator)&nbsp;<\/li>\n\n\n\n<li>LEO THIEMARD &#8211; Them. Us. Me (creator)&nbsp;<\/li>\n\n\n\n<li>MARC DA COSTA &#8211; Tulpamancer&nbsp;(creator)<\/li>\n\n\n\n<li>KYROS PAPAVASSILIOU &#8211; Embryo Larva Butterfly (director)<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Highlights<\/h2>\n\n<ul>\n<li>ARNAUD DES PALLI\u00c8RES &#8211; Captives (director)&nbsp;<\/li>\n\n\n\n<li>MATTEO GARRONE &#8211; Io Capitano (director)&nbsp;<\/li>\n\n\n\n<li>MOUSTAPHA FALL &#8211; Io Capitano (actor)&nbsp;<\/li>\n\n\n\n<li>SEYDOU SARR &#8211; Io Capitano (actor)<\/li>\n\n\n\n<li>DELPHINE LEHERICEY &#8211; Les Indociles (creator)<\/li>\n\n\n\n<li>PITCH COMMENT &#8211; Les Indociles (author)<\/li>\n\n\n\n<li>CAMILLE REBETEZ \u2013 Les Indociles (creator)&nbsp;<\/li>\n\n\n\n<li>THOMAS BLANCHARD \u2013 Les Indociles (actor)<\/li>\n\n\n\n<li>THIBAUT EVRARD &#8211; Les Indociles&nbsp;(actor)<\/li>\n\n\n\n<li>CYRIL METZGER &#8211; Les Indociles&nbsp;(actor)<\/li>\n\n\n\n<li>MARINEL MITTEMPERGHER &#8211; Les Indociles&nbsp;(actor)<\/li>\n\n\n\n<li>FOTIN\u00cc PELUSO &#8211; Les Indociles&nbsp;(actor)<\/li>\n\n\n\n<li>ARCADI RADEFF &#8211; Les Indociles&nbsp;(actor)<\/li>\n\n\n\n<li>DAVID CONSTANTIN &#8211; Tschugger III (creator, actor)&nbsp;<\/li>\n\n\n\n<li>JOHANNES BACHMAN &#8211; Tschugger III (co-director )&nbsp;<\/li>\n\n\n\n<li>SOPHIE TOTH &#8211; Tschugger III (producer)<\/li>\n\n\n\n<li>DRAGAN VUJIC &#8211; Tschugger III (actor)&nbsp;<\/li>\n\n\n\n<li>VINCENT KUCHOLL &#8211; Tschugger III (actor)&nbsp;<\/li>\n\n\n\n<li>VINCENT VEILLON &#8211; Tschugger III (actor)&nbsp;<\/li>\n\n\n\n<li>SAFI MARTIN Y\u00c9 \u2013 Tschugger III (actress)<\/li>\n\n\n\n<li>BENO\u00ceT RENAUDIN &#8211; Lavinia (creator)<\/li>\n\n\n\n<li>ISIS FAHMY &#8211; Lavinia (creator)<\/li>\n\n\n\n<li>HSIN-CHIEN HUANG &#8211; The Eye And I (creator)<\/li>\n\n\n\n<li>FRAN\u00c7OIS KLEIN &#8211; The Eye And I (producer)<\/li>\n\n\n\n<li>DETLEV BUCK \u2013 German Genius (director, actor)<\/li>\n\n\n\n<li>THIERRY LOA &#8211; 21-22 USA (creator)&nbsp;<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">PULSATION<\/h2>\n\n<ul>\n<li>ERIK BERNASCONI \u2013 Alter Ego (co-creator &amp; co-director)<\/li>\n\n\n\n<li>ROBERT RALSTON JR. \u2013 Alter Ego (co-director)<\/li>\n\n\n\n<li>ANNA PIERI ZUERCHER \u2013 Alter Ego (actor)<\/li>\n\n\n\n<li>PIETRO ZUERCHER \u2013 Alter Ego (chief operator)<\/li>\n\n\n\n<li>OLGA LAMONTANARA \u2013 Alter Ego (producer)<\/li>\n\n\n\n<li>MICHELA PINI \u2013 Alter Ego (producer)<\/li>\n\n\n\n<li>FABRIZIO NICORA &#8211; Alter Ego (decorator)<\/li>\n\n\n\n<li>RHEA PLANGG &#8211; Alter Ego (producer)<\/li>\n\n\n\n<li>SARAH SCHIESSER &#8211; Alter Ego (producer)<\/li>\n\n\n\n<li>ROBIN HAEFELI &#8211; My Mind. Do you Mind ? (creator)&nbsp;<\/li>\n\n\n\n<li>IRIS BREY \u2013 Split (creator)<\/li>\n\n\n\n<li>ALMA JODOROWSKY \u2013 Split (actress)<\/li>\n\n\n\n<li>MARGOT HERBELIN &#8211; Abyssal Encounter (creator)<\/li>\n\n\n\n<li>DORIAN JOVANOVIC &#8211; Abyssal Encounter (creator)<\/li>\n\n\n\n<li>MARIUS PARISOD &#8211; Congruence (creator)<\/li>\n\n\n\n<li>TIBOR UDVARI &#8211; Creepy Cutouts (creator)<\/li>\n\n\n\n<li>TH\u00c9O D\u00c9CHANEZ &#8211; Phisus (creator)<\/li>\n\n\n\n<li>ODRAN JOBIN &#8211; Phisus (creator)<\/li>\n\n\n\n<li>LUDOVICA GALLEANI D&#8217;AGLIANO &#8211; Syntia_CAM (creator)<\/li>\n\n\n\n<li>ISA\u00cfA DELAPLACE &#8211; Wish I Was Here (creator)<\/li>\n\n\n\n<li>VIKTOR GAGN\u00c9 &#8211; Wish I Was Here (creator)<\/li>\n\n\n\n<li>SAMUEL GRANDCHAMP &#8211; Breakaway (creator,&nbsp;producer)<\/li>\n\n\n\n<li>ELI PREMINGER &#8211; Breakaway (director)<\/li>\n\n\n\n<li>S\u00c9BASTIEN BEAULIEU &#8211; Breakaway (cast, GSHC coach club)<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">POP TV<\/h2>\n\n<ul id=\"block-89c5fa72-cc4e-4483-8797-982c729d5415\">\n<li>YVAN BUTLER (director)<\/li>\n<\/ul>\n\n<ul class=\"d-none\">\n<li>Abner Preis (cr\u00e9ateur) \u2013 <em>Blowing Through The Curtains<\/em><\/li>\n\n\n\n<li>Ad\u00e8le Haenel (actrice) \u2013 <em>Retour \u00e0 Reims (Fragments)<\/em><\/li>\n\n\n\n<li>Arnaud Parel (cr\u00e9ateur) \u2013 <em>Teatro San Materno<\/em><\/li>\n\n\n\n<li>Basil D\u00e9n\u00e9reaz (cr\u00e9ateur) \u2013 <em>Run<\/em><\/li>\n\n\n\n<li>Bogdan Nastase (cr\u00e9ateur) \u2013 <em>Untitled<\/em><\/li>\n\n\n\n<li>Edric Douglas Stanley (cr\u00e9ateur) \u2013 <em>Inside Inside<\/em><\/li>\n\n\n\n<li>Elie Grappe (r\u00e9alisateur) \u2013 <em>Olga<\/em><\/li>\n\n\n\n<li>Elodie Anglade (cr\u00e9atrice) \u2013 <em>Sonate M\u00e9canique<\/em><\/li>\n\n\n\n<li>Firat Sezgin (producteur) \u2013 <em>Blowing Through The Curtains<\/em><\/li>\n\n\n\n<li>Ga\u00eblle Mourre (cr\u00e9atrice) \u2013 <em>(Hi)story of a Painting<\/em><\/li>\n\n\n\n<li>Jamy Herrmann (cr\u00e9ateur) \u2013 <em>CAPTIVUS<\/em><\/li>\n\n\n\n<li>Jean Gabriel Periot (r\u00e9alisateur) \u2013 <em>Retour \u00e0 Reims (Fragments)<\/em><\/li>\n\n\n\n<li>Jorge Reis (cr\u00e9ateur) \u2013 <em>Mind Box<\/em><\/li>\n\n\n\n<li>Julie Ryser (cr\u00e9atrice) \u2013 <em>Run<\/em><\/li>\n\n\n\n<li>Leoni Limbach (cr\u00e9atrice) \u2013 <em>Untitled<\/em><\/li>\n\n\n\n<li>Marine Dang (cr\u00e9atrice) \u2013 <em>CAPTIVUS<\/em><\/li>\n\n\n\n<li>M\u00e9lanie Fontaine (cr\u00e9atrice) \u2013 <em>Mind Box<\/em><\/li>\n\n\n\n<li>Mika Pica (cr\u00e9ateur) \u2013 <em>Ocytocine<\/em><\/li>\n\n\n\n<li>Nathana\u00ebl Vianin (cr\u00e9ateur) \u2013 <em>Heliotrip<\/em><\/li>\n\n\n\n<li>Nora Fatehi (cr\u00e9atrice) \u2013 <em>Ocytocine<\/em><\/li>\n\n\n\n<li>S\u00e9bastien Galera (cr\u00e9ateur) \u2013 <em>Run<\/em><\/li>\n\n\n\n<li>Sina Dolati (cr\u00e9ateur) \u2013 <em>S\u00e4ye Skye ADHD: The VR Experience<\/em><\/li>\n\n\n\n<li>Soraya Camina (cr\u00e9atrice) \u2013 <em>Sonate M\u00e9canique<\/em><\/li>\n\n\n\n<li><\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Geneva Digital Market<\/h2>\n\n<ul>\n<li>CHRISTINA LEE STORM &#8211; Founder, CEO, Asher XR<\/li>\n\n\n\n<li>GUILLAUME HELLEU \u2013 Web3 Strategist, Hint3rland<\/li>\n\n\n\n<li>NORA NAHID KHAN &#8211; Writer, Editor, and Co-Curator of the Biennale de L&#8217;Image en Mouvement, 2024<\/li>\n\n\n\n<li>THIB\u00c9RY MAILLAR \u2013 Interaction Designer<\/li>\n\n\n\n<li>COMPUTATIONAL MAMA \u2013 Creative Technologist, co-founder Ajaibghar, AI prompt specialist Gooey.AI<\/li>\n\n\n\n<li>JEANNE MARCHALOT \u2013 Head of&nbsp;<a href=\"http:\/\/france.tv\/\">France.tv<\/a>&nbsp;Storylab<\/li>\n\n\n\n<li>ANTHONY MASURE &#8211; Associate Professor and Head of Research at Haute \u00e9cole d\u2019art et de design de Gen\u00e8ve \u2013 HEAD<\/li>\n\n\n\n<li>ALEXIA MATHIEU &#8211; Head of Master Media Design, Haute \u00c9cole d&#8217;Art et de Design Gen\u00e8ve (HEAD)<\/li>\n\n\n\n<li>TINO MILLAR \u2013 Founder and CEO, Move AI<\/li>\n\n\n\n<li>GA\u00cbLLE MOURRE \u2013 Film and immersive writer, director,&nbsp;Associate XR Programmer at SXSW, founder and artistic director of Fat Red Bird&nbsp;<\/li>\n\n\n\n<li>DOUGLAS EDRIC STANLEY &#8211; Professor of Media Design at the Haute \u00c9cole d&#8217;Art et de Design \u2013 HEAD<\/li>\n\n\n\n<li>SIMON SENN \u2013 Artist<\/li>\n\n\n\n<li>PASCALINE SORDET \u2013 Producer, Climage<\/li>\n\n\n\n<li>R\u00c9MI TERESZKIEWICZ \u2013 CEO, Betaseries<\/li>\n\n\n\n<li>FIBRE TIGRE \u2013&nbsp;Cr\u00e9ateur<\/li>\n\n\n\n<li>JAMIE UMPHERSON \u2013 Head Creative, Runway<\/li>\n\n\n\n<li>CRISTOBAL VALENZUELA &#8211; Co-Founder and CEO, Runway<\/li>\n\n\n\n<li>CALEB WARD \u2013 Founder and CEO, Curious Refuge<\/li>\n\n\n\n<li>MACIEJ ZEMOJCIN \u2013 Producer, PixelRace<\/li>\n<\/ul>\n\n<p>Find the full list of GDM guests <a href=\"https:\/\/www.giff.ch\/archives\/2023\/en\/gdm\/whos-who\/\">here<\/a>!<\/p>\n\n<h2 class=\"wp-block-heading\">DIGITAL NIGHT<\/h2>\n\n<ul>\n<li>MATHIEU PRADAT \u2013 Encounters-Intruders&nbsp;(creator)<\/li>\n<\/ul>\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">JURYS<\/h2>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Jury  international <\/strong>feature <strong>competition<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-675x675.jpeg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-675x675.jpeg 675w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-150x150.jpeg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-206x206.jpeg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-308x308.jpeg 308w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-855x855.jpeg 855w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-1026x1026.jpeg 1026w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-stephanie-chuat-10219-1350x1350.jpeg 1350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">St\u00e9phanie Chuat \u2013 pr\u00e9sidente du jury<\/h3>\n\n<p>St\u00e9phanie Chuat works together with V\u00e9ronique Reymond as a \u201ctwin-engine\u201d. Their debut feature <em>The Little Bedroom<\/em> wins Best Fiction Film &amp; Best Screenplay at the 2011 Swiss Film Award. In 2014, they write and direct the series <em>Open Book<\/em>. In 2018, their documentary feature <em>Ladies<\/em> premieres at Visions du R\u00e9el International Film Festival. In 2020, <em>My Little Sister<\/em>, starring Nina Hoss and Lars Eidinger, is selected in competition at the Berlinale. Their movie wins five Quartz at the Swiss Film Awards and is the Swiss Entry at the Academy Awards 2021. In 2023, Chuat and Reymond direct for Netflix the first four episodes of <em>Transatlantic<\/em>, Anna Winger\u2019s (<em>Unorthodox<\/em>) new miniseries. The duo is currently developing the US remake of <em>The Little Bedroom<\/em>, and a new series,<em> Toxic<\/em>. <\/p>\n<\/div><\/div>\n\n\n<ul>\n<li>Gabriel Grosclaude<\/li>\n\n\n\n<li>Anna Joos<\/li>\n\n\n\n<li>Timon Musy<\/li>\n\n\n\n<li>Sofia Pasotti<\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Jury international Series Competition<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<ul>\n<li>Justine Langlois<\/li>\n\n\n\n<li>Damien Molineaux<\/li>\n\n\n\n<li>Mathieu Roux<\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Jury Future Is Sensible CompEtition<\/h3>\n\n\n\n<p><\/p>\n\n\n<div class='row '><div class='col col-12 col-md-4'>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal-675x675.jpeg\" class=\"img-fluid pb-3\" alt=\"Nora Nahid Khan, GIFF 2021\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal-675x675.jpeg 675w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal-150x150.jpeg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal-206x206.jpeg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal-308x308.jpeg 308w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal-855x855.jpeg 855w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal-1026x1026.jpeg 1026w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/931968_normal.jpeg 1277w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/figure>\n<\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Nora Nahid Khan<\/h3>\n\n<p>Nora N. Khan is a curator, editor, and writer of criticism on digital visual culture and theory of emerging technologies. She is the next Co-Curator for the next Biennale de L\u2019Image en Mouvement, with Andrea Bellini, hosted by Centre d&#8217;Art Contemporain Gen\u00e8ve. Her books are <em>Seeing, Naming, Knowing<\/em> (Brooklyn Rail) and with Steven Warwick, <em>Fear Indexing the X-Files<\/em> (Primary Information). Forthcoming are <em>AI Art and the Stakes for Art Criticism <\/em>(Lund Humphries) and Kingdom (Primary Information). She has served as editor at Rhizome, Topical Cream, and HOLO, and as professor in Digital + Media at the Rhode Island School of Design, where was nominated for the John R. Frazier Award for Excellence in Teaching.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-855x855.jpg 855w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-1026x1026.jpg 1026w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-giovanna-fossati-16311-1350x1350.jpg 1350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Giovanna Fossati<\/h3>\n\n<p>Giovanna Fossati is the Chief Curator at Eye Filmmuseum where she supervises a collection of 55,000 titles. She is also Professor of Film Heritage and Digital Film Culture at the University of Amsterdam where she has taught in the MA Preservation and Presentation of the Moving Image Program since it was established, in 2003. Fossati is the author of From&nbsp;<em>Grain to Pixel: The Archival Life of Film in Transition <\/em>(Amsterdam University Press, 2009 and 2018, revised edition).<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-675x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-675x675.jpg 675w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-150x150.jpg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-206x206.jpg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-308x308.jpg 308w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-855x855.jpg 855w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-1026x1026.jpg 1026w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-keith-stuart-2405-1350x1350.jpg 1350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Keith Stuart<\/h3>\n\n<p>Keith Stuart is a veteran journalist and critic, specialising in video games, film and digital culture. He has been both games editor and games correspondent for the Guardian, and has written for T3, Red, Empire, GamesRadar, Eurogamer and many other publications. He has spoken about immersive entertainment at Bafta and the NFTS. He is also the best-selling author of novels <em>The Boy Made<\/em> of <em>Blocks and The Frequency of Us.<\/em><\/p>\n<\/div><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><br>Jury international immersive experience CompEtition <\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-gaelle-mourre-10193.jpeg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-gaelle-mourre-10193.jpeg 500w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-gaelle-mourre-10193-150x150.jpeg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-gaelle-mourre-10193-206x206.jpeg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-gaelle-mourre-10193-308x308.jpeg 308w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Ga\u00eblle Mourre<\/h3>\n\n<p>Ga\u00eblle is an award winning film and immersive writer, director, producer. Her projects have been in official selection at festivals such as Sundance, SXSW, and the Venice Biennale. She is a BAFTA Connect member, was a 2020 Directors UK Inspire Mentee, and a 2022 Berlinale Talent. In 2021 she was awarded \u00ab Most Promising Creator \u00bb at Stereopsia and in 2022 her project <em>(Hi)Story of a Painting : The Light in the Shadow<\/em> won the Special Jury Recognition for Immersive Storytelling at SXSW.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"310\" height=\"310\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-jay-kim-16644.jpeg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-jay-kim-16644.jpeg 310w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-jay-kim-16644-150x150.jpeg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-jay-kim-16644-206x206.jpeg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-jay-kim-16644-308x308.jpeg 308w\" sizes=\"(max-width: 310px) 100vw, 310px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Jay Kim<\/h3>\n\n<p>Jay Kim, the XR curator of the Bucheon International Fantastic Film Festival (BIFAN), introduced Virtual Reality (VR) content at BIFAN in 2016 &#8211; for the first time among Korean film festivals &#8211; and has been in charge of BIFAN&#8217;s XR section program for seven years so far. Also, he newly established the BIFAN Beyond Reality section in 2019 and has introduced a variety of new media content to the audience.<br>Jay also produced many XR projects &#8211; since he jumped into this industry from the filmmaking business in 2016 &#8211; and his projects were invited to multiple international film festivals like Sundance, Tribeca, SXSW and IDFA and so on. Jay founded Gii\u00d6ii studio in 2020 and is currently focusing on expanding the new media content ecosystem in South Korea.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-4'><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-alexandra-gerard-9837.jpeg\" class=\"img-fluid pb-3\" alt=\"GIFF\" srcset=\"https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-alexandra-gerard-9837.jpeg 500w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-alexandra-gerard-9837-150x150.jpeg 150w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-alexandra-gerard-9837-206x206.jpeg 206w, https:\/\/www.giff.ch\/archives\/2023\/wp-content\/uploads\/2023\/10\/giff-alexandra-gerard-9837-308x308.jpeg 308w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/div><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\">Alexandra G\u00e9rard<\/h3>\n\n<p>Alexandra G\u00e9rard, the CEO of Stereopsia, leads the helm of an influential annual XR event and festival held in Brussels, at the heart of Europe. Dedicated to immersive technologies and content, Stereopsia stands as the premier standalone XR event, strategically positioned near policy-makers. Alexandra excels in overseeing all aspects of event planning, organization, and execution. For the past 14 years, Alexandra has been instrumental in shaping Stereopsia into the leading platform for cutting-edge technology it is today. Drawing the entire Belgian XR ecosystem, including key industry players and policy influencers, Stereopsia serves as a hub for networking, collaboration, and discussions propelling the immersive technology landscape forward since 2009.<\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 '><\/div><\/div><\/div><\/div>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>THIS LIST WILL BE REGULARLY UPDATED. GENEVA AWARD kourtrajm\u00e9 collective Founded in 1994 by filmmakers Kim Chapiron, Romain Gavras and Toumani Sangar\u00e9, the Kourtrajm\u00e9 collective brings together over a hundred artists who make up the richness and plurality of this group in phase with the protean audiovisual milieu. Anchored in the digital turn of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/pages\/29716"}],"collection":[{"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/comments?post=29716"}],"version-history":[{"count":3,"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/pages\/29716\/revisions"}],"predecessor-version":[{"id":58287,"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/pages\/29716\/revisions\/58287"}],"wp:attachment":[{"href":"https:\/\/www.giff.ch\/archives\/2023\/en\/wp-json\/wp\/v2\/media?parent=29716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}