{"id":37365,"date":"2022-04-08T11:25:58","date_gmt":"2022-04-08T09:25:58","guid":{"rendered":"https:\/\/www.giff.ch\/archives\/2024\/\/?post_type=giff_unlimited&#038;p=37365"},"modified":"2022-03-01T11:45:09","modified_gmt":"2022-03-01T10:45:09","slug":"giff-unlimited-veyrier","status":"publish","type":"giff_unlimited","link":"https:\/\/www.giff.ch\/archives\/2024\/giff_unlimited\/giff-unlimited-veyrier\/","title":{"rendered":"GIFF Unlimited @VEYRIER &#8211; cin\u00e9ma vr"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class='row '><div class='col col-12 col-md-8'>\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<p>Pour la deuxi\u00e8me ann\u00e9e cons\u00e9cutive,&nbsp;le Geneva&nbsp;International Film Festival (GIFF) en collaboration avec la Commune de Veyrier&nbsp;vous propose&nbsp;un programme&nbsp;unique et vertigineux d\u2019\u0153uvres&nbsp;en r\u00e9alit\u00e9 virtuelle.&nbsp;Du&nbsp;8 au 10 avril 2022, \u00e0&nbsp;<a class=\"\" href=\"https:\/\/www.veyrier.ch\/taxonomy\/term\/56\/1\">l\u2019Espace&nbsp;culturel \u2013 La Mansarde<\/a>,&nbsp;muni\u00b7e\u00b7s d\u2019un casque VR et install\u00e9\u00b7e\u00b7s sur des si\u00e8ges&nbsp;pivotant, vous aurez l\u2019occasion de plonger au c\u0153ur&nbsp;d&rsquo;univers artistiques con\u00e7us&nbsp;\u00e0 360\u00b0. Gr\u00e2ce \u00e0 ce nouveau langage, les \u0153uvres prennent vie dans un espace tridimensionnel&nbsp;tout autour de vous et vous t\u00e9l\u00e9portent au centre du r\u00e9cit. Osez&nbsp;perdre pied et&nbsp;tentez&nbsp;l\u2019exp\u00e9rience !&nbsp;<\/p>\n\n<p><\/p>\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><div class='col col-12 col-md-4'>\n<p><\/p>\n\n<p><\/p>\n\n<h3 class=\"wp-block-heading\" id=\"du-8-au-10-avril-2022\">Du&nbsp;8 au 10 avril 2022<\/h3>\n\n<p><a href=\"https:\/\/etickets.infomaniak.com\/shop\/pC24OJfToM\/events\/440066\/\" target=\"_blank\" rel=\"noreferrer noopener\">BILLETTERIE<\/a><\/p>\n<\/div><\/div>\n\n<div class='row '><div class='col col-12 col-md-8'>\n<h3 class=\"wp-block-heading\" id=\"replacements\"><strong>Replacements<\/strong><\/h3>\n\n<p>Jonathan Hagard \/ Japon, Indon\u00e9sie, Allemagne \/ 2020 \/ 12 min \/ Animation, Docu-fiction&nbsp;\/ Sans dialogue<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1080\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Replacements-1080x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2024 - Geneva International Film Festival\" srcset=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Replacements-1080x675.jpg 1080w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Replacements-330x206.jpg 330w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Replacements-493x308.jpg 493w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Replacements-1368x855.jpg 1368w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Replacements-1642x1026.jpg 1642w\" sizes=\"auto, (max-width: 1080px) 100vw, 1080px\" \/>\n<p>Dans un quartier imaginaire de Jakarta sont d\u00e9peints les changements dans la vie&nbsp;d&rsquo;une famille javanaise au fil de trois g\u00e9n\u00e9rations. Les saisons, les d\u00e9cors, les&nbsp;coutumes et traditions populaires se succ\u00e8dent, mais aussi les symboles religieux et&nbsp;spirituels jusqu&rsquo;\u00e0 l&rsquo;av\u00e8nement de l&rsquo;extr\u00e9misme islamiste. Un r\u00e9cit anim\u00e9 qui t\u00e9moigne&nbsp;avec justesse des profondes transformations urbaines, environnementales, politiques&nbsp;et culturelles de la capitale indon\u00e9sienne, de 1980 \u00e0 aujourd\u2019hui.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-3\"><a href=\"Trailer:\u00a0https:\/\/www.youtube.com\/watch?v=KjXP673i_cs\">Trailer<\/a><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"the-orchid-and-the-bee\"><strong>The Orchid and the Bee&nbsp;<\/strong><\/h3>\n\n<p>Frances Adair McKenzie \/ Canada \/ 2020 \/ 5 min \/ Animation \/ Sans dialogue&nbsp;<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1200x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2024 - Geneva International Film Festival\" srcset=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1200x675.jpg 1200w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-366x206.jpg 366w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-548x308.jpg 548w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1520x855.jpg 1520w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee-1824x1026.jpg 1824w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/The-Orchid-and-the-Bee.jpg 1920w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/>\n<p>Inspir\u00e9 de la th\u00e9orie de l&rsquo;\u00e9volution de Darwin,&nbsp;The Orchid and the Bee, est une ode&nbsp;expressionniste \u00e0 la lutte pour l\u2019existence, qui se d\u00e9roule en trois actes. Une histoire&nbsp;d&rsquo;amour interesp\u00e8ce place le\u00b7la spectateur\u00b7rice au centre d\u2019une s\u00e9rie d\u2019\u00e9v\u00e9nements&nbsp;en mutation et traite du th\u00e8me universel de la relation entre l\u2019\u00eatre humain et la nature.&nbsp;Une exp\u00e9rience magique, m\u00ealant magistralement st\u00e9r\u00e9oscopie, r\u00e9alit\u00e9 virtuelle et&nbsp;animation stop motion.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-4\"><strong><a href=\"https:\/\/vimeo.com\/420661319\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a><\/strong><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"ex-anima\"><strong>Ex Anima&nbsp;<\/strong><\/h3>\n\n<p>Pierre Zandrowicz, Bartabas \/ France \/ 2019 \/ 13 min \/ Documentaire \/ Sans dialogue&nbsp;<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"618\" src=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/ex-anima.webp\" class=\"img-fluid pb-3\" alt=\"GIFF 2024 - Geneva International Film Festival\" srcset=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/ex-anima.webp 928w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/ex-anima-309x206.webp 309w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/ex-anima-462x308.webp 462w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/>\n<p>Le ma\u00eetre du th\u00e9\u00e2tre \u00e9questre Bartabas met en sc\u00e8ne ses&nbsp;chevaux et leur fait raconter, autonomes, le long r\u00e9cit de leur&nbsp;relation \u00e0 l\u2019Homme, \u00e0 la fois tortueuse et fusionnelle.<br>Dans un d\u00e9cor onirique, le spectateur est au centre d\u2019une ronde&nbsp;hypnotique, po\u00e9sie visuelle aux accents post-apocalyptiques.&nbsp;Une&nbsp;exp\u00e9rience unique, en r\u00e9alit\u00e9 virtuelle.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer\"><strong><a href=\"https:\/\/www.youtube.com\/watch?v=H4TyjO6UiDI\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a><\/strong><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"odyssey-1-4-9\"><strong>Odyssey 1.4.9&nbsp;<\/strong><\/h3>\n\n<p>Fran\u00e7ois Vautier \/ France \/ 2019 \/ 8 min \/ Docu-fiction \/ Sans dialogue<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1200x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2024 - Geneva International Film Festival\" srcset=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1200x675.jpg 1200w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-366x206.jpg 366w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-548x308.jpg 548w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1520x855.jpg 1520w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Odyssey-1.4.9-1824x1026.jpg 1824w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/>\n<p>R\u00e9alis\u00e9 sous forme d\u2019hommage personnel,&nbsp;Odyssey 1.4.9&nbsp;est une invitation \u00e0&nbsp;voyager au c\u0153ur du chef d\u2019\u0153uvre de Stanley Kubrick,&nbsp;2001, l\u2019Odyss\u00e9e de l\u2019espace.&nbsp;En recr\u00e9ant le mythique monolithe noir \u00e0 partir de sc\u00e8nes cultes issues du film,&nbsp;Fran\u00e7ois Vautier propose une immersion sensorielle qui r\u00e9v\u00e8le toute l\u2019ambition et la&nbsp;complexit\u00e9 conceptuelle du projet kubrickien et cristallise son sujet principal \u2013&nbsp;l\u2019intelligence artificielle \u2013 rest\u00e9e une question \u00e9minemment contemporaine.<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-1\"><a href=\"https:\/\/vimeo.com\/239123026\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a><\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"saturnism\"><strong>Saturnism&nbsp;<\/strong><\/h3>\n\n<p>Mihai Grecu \/ France \/ 2020 \/ 4 min \/ Fiction \/ Sans dialogue<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Saturnism-546x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2024 - Geneva International Film Festival\" srcset=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Saturnism-546x675.jpg 546w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Saturnism-167x206.jpg 167w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Saturnism-249x308.jpg 249w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Saturnism-692x855.jpg 692w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Saturnism-831x1026.jpg 831w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Saturnism-1093x1350.jpg 1093w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/>\n<p>Peinte directement sur les murs de sa maison, l\u2019\u0153uvre&nbsp;Saturne d\u00e9vorant son enfant&nbsp;de Francisco Goya fait r\u00e9f\u00e9rence \u00e0 la mythologie grecque, quand le roi Cronos&nbsp;d\u00e9vore chacun de ses enfants pour contrer la pr\u00e9diction selon laquelle il serait&nbsp;d\u00e9tr\u00f4n\u00e9 par l\u2019un de ses fils.&nbsp;Saturnism&nbsp;est une immersion \u00e0 l\u2019\u00e9chelle humaine dans&nbsp;l\u2019une des peintures les plus sombres et obs\u00e9dantes de l\u2019histoire de l\u2019art, o\u00f9 la peur de&nbsp;perdre le pouvoir pousse \u00e0 la folie.<\/p>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h2 class=\"wp-block-heading\" id=\"oeuvres-libre-acces-jeune-tout-public\"><strong>\u0152UVRES LIBRE ACCES JEUNE\/ TOUT PUBLIC<\/strong><\/h2>\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"quand-elle-sort-de-sa-boite-gordon-marie-sellier-france-2021-28-min-animation-realite-augmentee-vo-franca\"><strong>Quand elle sort&nbsp;de sa bo\u00eete<\/strong><\/h3>\n\n<p id=\"quand-elle-sort-de-sa-boite-gordon-marie-sellier-france-2021-28-min-animation-realite-augmentee-vo-franca\"><br>Gordon, Marie Sellier \/ France \/ 2021 \/ 28 min \/ Animation \/ r\u00e9alit\u00e9 augment\u00e9e \/ vo. Fran\u00e7ais<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"928\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-928x675.jpg\" class=\"img-fluid pb-3\" alt=\"GIFF 2024 - Geneva International Film Festival\" srcset=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-928x675.jpg 928w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-283x206.jpg 283w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-423x308.jpg 423w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out-1175x855.jpg 1175w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/When-She-Gets-Out.jpg 1384w\" sizes=\"auto, (max-width: 928px) 100vw, 928px\" \/>\n<p>Dans cette surprenante et ludique exp\u00e9rience en r\u00e9alit\u00e9 augment\u00e9e, la jeune&nbsp;danseuse Marie part \u00e0 la rencontre des personnages qui, comme elle, sont&nbsp;\u00e9ternellement fig\u00e9\u00b7e\u00b7s parmi les plus c\u00e9l\u00e8bres oeuvres d&rsquo;art du Mus\u00e9e d\u2019Orsay.&nbsp;<\/p>\n\n<h4 class=\"wp-block-heading\" id=\"trailer-2\"><a href=\"https:\/\/www.youtube.com\/watch?v=AzwfmJVmGOE\" target=\"_blank\" rel=\"noreferrer noopener\">Trailer<\/a>&nbsp;<\/h4>\n\n<hr class=\"wp-block-separator\"\/>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<h3 class=\"wp-block-heading\" id=\"clap\"><strong>Clap<\/strong><\/h3>\n\n<p>Itoh Keisuke \/ Japon \/ 2021 \/ 13 min \/ Animation \/ r\u00e9alit\u00e9 virtuelle \/ sans dialogue&nbsp;<\/p>\n<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Clap-1200x675.png\" class=\"img-fluid pb-3\" alt=\"GIFF 2024 - Geneva International Film Festival\" srcset=\"https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Clap-1200x675.png 1200w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Clap-366x206.png 366w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Clap-548x308.png 548w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Clap-1520x855.png 1520w, https:\/\/www.giff.ch\/archives\/2024\/wp-content\/uploads\/2022\/02\/Clap-1824x1026.png 1824w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/div><div class='col col-12 col-md-4'><\/div><\/div>\n\n\n<p><\/p>\n","protected":false},"featured_media":37624,"template":"","class_list":["post-37365","giff_unlimited","type-giff_unlimited","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.giff.ch\/archives\/2024\/wp-json\/wp\/v2\/giff_unlimited\/37365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.giff.ch\/archives\/2024\/wp-json\/wp\/v2\/giff_unlimited"}],"about":[{"href":"https:\/\/www.giff.ch\/archives\/2024\/wp-json\/wp\/v2\/types\/giff_unlimited"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.giff.ch\/archives\/2024\/wp-json\/wp\/v2\/media\/37624"}],"wp:attachment":[{"href":"https:\/\/www.giff.ch\/archives\/2024\/wp-json\/wp\/v2\/media?parent=37365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}